BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Fondazione Morra - ECPv6.16.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Fondazione Morra
X-ORIGINAL-URL:https://www.fondazionemorra.org/en/
X-WR-CALDESC:Events for Fondazione Morra
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Rome
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20211031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20241027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20250330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20251026T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240510T080000
DTEND;TZID=Europe/Rome:20240519T170000
DTSTAMP:20260515T214053
CREATED:20240102T095609Z
LAST-MODIFIED:20240327T222324Z
UID:12595-1715328000-1716138000@www.fondazionemorra.org
SUMMARY:IN THE SONG FOR LOVE – Rite of Repair
DESCRIPTION:Naples / Caggiano (SA)\nMay\, 10/19 2024 \nIN THE SONG FOR LOVE – Rite of Repair\nThe shapes and colors of the Song of Creatures.\nSaint Francis of Assisi and Hermann Nitsch.\nWorkshop on performing arts held by Andrea Cramarossa \nThrough the Natural Elements and the Practice of Silence developed during twenty years of research in the Doll Theater\, one accesses the precious source of Sound which dwells\, in primordial and cosmic form\, within each living being and\, consequently\, in each thing that makes up the “surrounding”. The proposed practice is the one that leads the human being directly to the heart of the sense of forgiveness\, to the immense discovery of Total Love that reflects itself in Total Art\, where even Death becomes sister and vital essence of prosperity and unavoidable access to the sacredness of the Divine Body. \nImmersing ourselves in the texts “Canticle of Creatures” by St. Francis of Assisi and “Essere” by Hermann Nitsch\, we will discover a way to reach ecstasy through the contemplation of Nature\, or new ecstatic energy under the power of the performer which becomes his performative movement. \nAndrea Cramarossa \nPurposes \n\nContact your body and your sound through the practice of the ritual.\nContact your body and your sound through the practice of prayer.\nTake possession of the “sense of the sacred” starting from the “sacred everyday life”.\nMake your own body sacred.\nMake your own sound sacred.\nMake the place sacred through the practice of sacrifice.\nIdentify the Source of Love within yourself.\nDetermine Love by purging it of any misunderstanding and interpretation aimed at feeding one’s ego.\nLove and hubris\, when loving means defacing the other from oneself.\nObservation of the dynamics that lead to the commercialization of Love.\nLove in Art.\nDiscover the Divine Body.\n\nGoals \n\nTo study the text “Canticle of the Creatures” by Saint Francis of Assisi.\nStudying the art and philosophical text “Being” by Hermann Nitsch.\nLet yourself be enveloped by the singing of animals to listen to the meaning of forgiveness.\nLet yourself be enveloped by the singing of the plants to listen to the meaning of forgiveness.\nAssimilate the sense of the sacred in theatrical practice.\nTheatrical practice as a purification practice.\nDiscover the Practice of Silence and the Practice of Purification.\nThe Purification of a Sacred Space.\nTrue Listening: main characteristic for fully experiencing Dramatic Art.\nAnthropology of Learning the Theatrical Art: “learning to learn” through prayer.\nWhat is Lay Prayer.\n\n  \nWho is the Masterclass for?\nInternational residential workshop on the performing arts and theatrical acting through the sound-body relationship\, from the “Canticle of the Creatures” by Saint Francis of Assisi and the philosophical text “Essere” by Hermann Nitsch conducted by Andrea Cramarossa – Teatro delle Bambole\, intended for performers\, dancers\, musicians\, singers\, directors\, Italian and foreign actors (the hosting will be multilingual).\nThe workshop is also open to student actors with even occasional and not in-depth but heartfelt and participatory experience in dramatic art.\nAt the end of the journey there will be a double opening of the work to the public.\nThe workshop has a limited number of places.\nAll participants will receive a certificate of participation. \nBiographical notes\nAndrea Cramarossa is a poet\, director and actor who\, after years of intense personal studies in the field of vocal research\, sound and voice applied to singing and speaking\, theorize\, on an experimental basis\, an approach to dramatic art through the use and knowledge of sound.\nHe is the first to take advantage of listening to the sound of the human voice in order to arrive at dramatic art by structuring a real acting model that is inspired by the work on sound by Gisela Rhomert and by Hermann Nitsch’s Theater of Orgies and Mysteries.\nCramarossa regularly holds workshops on voice and acting in Italy and abroad. He receives numerous awards in the artistic field including: “Young Oscar – European Personality” and the “Aligi D’Oro” Prize for Dramatic Art. With his artistic work “L’URLO” (The Scream) he received the first prize in 2013 at the FAP – Festival of Performing Arts. In 2003 he founded the theater research group Teatro delle Bambole. \nFor more info: www.teatrodellebambole.it \nDates / Timetables / Where \nThe first part of the workshop will take place from Friday 10 to Wednesday 15 May 2024 in Naples at the Sala Capriata of the Hermann Nitsch Museum Museum (Vico Lungo Pontecorvo 29/d) with the following times:\nfrom 10am to 1pm and from 4pm to 7pm.\nThe move from Naples to Caggiano (or Polla) is scheduled for Thursday 16 May.\nThe second part of the workshop will take place from Friday 17 to Sunday 19 May 2024 in Caggiano. \nAudience presentations on Saturday 18 May (at 9 pm) and Sunday 19 May (at 6 pm) in Caggiano. \nHow to apply / Deadline\nIt is essential to send your application accompanied by an artistic curriculum to info@teatrodellebambole.it\nYou can send your application from January 1\, 2024 to April 21\, 2024. \nAttendance fee: 260\,00 euros \nEARLY BIRD PRICE 240\,00 euros: Special reduced fee sending the application by 1 March 2024. \nSelection Result\nThe selected participants will be contacted by the organizational secretariat on \n\nMarch 10\, 2024 (applications received by 1 March)\nApril 28\, 2024 (applications received after 1 March)\n\nThe registration is completed upon receipt of the copy of the deposit of  50%\, within five days following the communication of the selections.\nAfter this date the candidacy expires. Please note that the deposit is non-refundable. \nPayment is only allowed by bank transfer. \nThe attendances are responsible for organizing and paying their own travel\, accommodation\, meals costs.\nFor the stay in Caggiano (SA)\, the organization will provide participants with accommodation at a subsidized cost (double rooms) at the Hotel Belvedere in Polla (SA). \nInfo: \nMuseo Hermann Nitsch – info@museonitsch.org – +39 081 5641655 \nCasa del Contemporaneo – info@casadelcontemporaneo.it – +39 345 4679142 \nTeatro delle Bambole – info@teatrodellebambole.it – +39 347 3003359 \nThe workshop on the performing arts IN THE SONG FOR LOVE is organized by the Morra Foundation – Hermann Nitsch Museum and Teatro delle Bambole in collaboration with Casa del Contemporaneo.
URL:https://www.fondazionemorra.org/en/evento/in-the-song-for-love-rite-of-repair/
LOCATION:Museo Hermann Nitsch\, Vico Lungo Pontecorvo 29/d\, Napoli\, 80135\, Italia
CATEGORIES:Museo Nitsch
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2023/12/incantoamore.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240413T193000
DTEND;TZID=Europe/Rome:20240413T223000
DTSTAMP:20260515T214053
CREATED:20240406T110353Z
LAST-MODIFIED:20240406T120050Z
UID:12851-1713036600-1713047400@www.fondazionemorra.org
SUMMARY:Flora Yin Wong Sara Persico
DESCRIPTION:FLORA YIN WONG\nSARA PERSICO \non Saturday 13 April 2024\ntalk starts at 7:30pm\nperformance starts at 9:00pm \nMuseo Hermann Nitsch \nTickets available at RA TICKETS https://it.ra.co/events/1886258\nLIMITED HALL CAPACITY \nThanks to the efficient mediation of Diana Del Franco\, a dynamic synergy has been set up between the independent cultural platform AKHET\, the Fondazione Morra and the cultural association E-M ARTS\, with the intention of hosting some of the most influential artists on the international sound scene for short stays and\, if possible\, to begin a constructive dialogue with the autonomous music communities in the region Campania: the first event/experience is on Saturday 13 April 2024 with the performances by Flora Yin Wong and Sara Persico at the Museo Hermann Nitsch\, located in the Montesanto district.\nWith the hope of capturing the energetic forces of the Museo and the emotional impulses triggered by crossing the rooms saturated with Maestro Hermann Nitsch’s powerful Total Works\, the hypothesis of absorbing an indelible perceptive experience in the memory is highly probable. An approach that does not exclude but incorporates and amalgamates the different characteristics and genres in a connective weave where subjective interpretation and imagination are the tools to intercept and decipher the vibrations. \n“the gesamtkunstwerk comes about in the orgien mysterien theater only because in it the most varied artistic forms are reduced to a pure abreactive phenomenon. word\, painting\, music become a liturgical action.\neverything is pervaded by a synthetic sacramental atmosphere. it redeems me and erects the o. m. theater.\nperhaps from a european mysticism of the senses\, from the recognition of the sudden reaction\, from the propensity to excess that is conditioned in us in an almost physiological way\, it will turn into a kind of oriental-asian mysticism of peace\, which\, however\, is not affected by the narcotically estranged and world-denying attitude of the latter; instead\, it must be a new mysticism understood as an intense and harmonious affirmation of life.\nto the concept of the human is connected an intensification in an apollonian sense\, a liberation from pure animality.”\nHermann Nitsch Orgien Mysterien Theater\, 1962 \nFlora Yin Wong mixes sounds recorded with her phone during her travels and various traditional musical instruments\, such as Tibetan bells\, yangquin and kemence\, to create innovative electronic audio segments\, echoes of sinister melodies\, arcane rhythms\, and mysterious noises. Flora crystallises a feeling of essence of those journeys and sounds that emerge from memory refracting like light hitting the surface of a mirror sphere.\nSara Persico channels her energy through voice and electronic sounds towards a hybrid universe beyond convention\, immersing us in multiple instrumental possibilities following the inspirations of total electronic improvisation. An intricate network of tunnels and passages\, in constant transformation with a distinctive touch that reveals her profound knowledge of composition and acoustic coherence. \nBIO NOTES \nFLORA YIN WONG (London\, 1988) Chinese-Malaysian origin\, writer\, producer and DJ\, founder of the label Doyennee\, Junior Editor for Dazed Digital magazine and writes for AnOtherMag.com\, Soho House Magazine\, INDIE/Material Girl and Ocularsound.com\nThe album Holy Palm is a hallucinatory sound collage of real and abstract journeys combining the sounds of insects in Balinese nature\, the rhythms of Tokyo dance clubs and the rumours of an abandoned Arctic settlement. Produced in tandem with the album Holy Palm (2020)\, Liturgy is a book that blurs the boundaries between fantasy\, diary and vision of the territories traversed by the protagonist: a blurry world\, a miscellany of hazy memories\, Cantonese fairy tales\, divinations from the reading hexagrams\, stories of parallel universes and ancient rituals.\nIn The Sacrifice (2022)\, an old book titled The Mabinogion\, which collects manuscript fragments of oral histories of Celtic mythology from the 12th-13th centuries\, acts as a guide. During an artist’s residency in an isolated cabin in North Wales\, Yin Wong focuses on acoustic ecology and the relation between listener and environment; she captures her own landscape with a tape recorder\, interweaving these recordings with adaptations of Welsh myths and the sounds produced by singer Rachel Lyn\, in a dreamlike interplay of tonal contrasts and natural and created reverberations.\nThe evocative album Cold Reading (2023) still expresses the characteristic instrumental narrative and describes the consequences of her exotic spiritual journeys: with a sense of disassociation\, Flora Yin Wong rereads Giuseppe Tartini’s (1692-1770) Violin Sonata in G minor\, known as the Devil’s Trill\, a notoriously challenging composition that attempted to perform music heard in a dream. \nSARA PERSICO (1993\, Naples) sound artist\, improviser\, DJ\, performer and video maker\, with deep roots in the sound underground of her city\, she honed her musical skills in challenging contexts while pursuing her composition studies at the Conservatory of Naples and in 2018 her master’s degree in Bologna. A founder and performer in several Italian and foreign musical groups\, in 2018 she participated at Temp Studio in Lisbon with the performance 7 Survival Techniques for voice\, electronics and video-projections\, and then collaborated with Francesca Grilli for the performance GOLD presented at the Santarcangelo Festival; in 2019 she performed on tour in Poland and Germany with the musician Ignacio Cordoba and released the album. Since 2021 she has been residing in Berlin after being selected for Amplify Berlin residency under the guidance of cellist Lucy Railton; here she finds an ideal atmosphere to activate international connections.\nThrough deep research into the matter of sound and following a multiplicity of practices\, such as improvisation and composition\, in the EP Boundary (2023) Sara challenges limits and definitions by boldly overcoming them in an evocative atmosphere of a subterranean world stratified by geological eras. The sound dimension is shaped by an unusual impulsive vocal practice mixed with pulsations and sound frequencies\, Sara performs with sound transformations and alters the nature of noises to create an elaborate inner landscape.\nSara Persico has performed at International events such as Geografie del Suono\, Bologna Jazz Festival\, Napoli Teatro Festival\, Damas Lisboa\, MultiMadeira\, O Salgado Faz Anos Fest\, CTM\, Documenta fifteen\, Club Mutante and Ballroom Blitz Beirut.
URL:https://www.fondazionemorra.org/en/evento/flora-yin-wong-sara-persico/
LOCATION:Museo Hermann Nitsch\, Vico Lungo Pontecorvo 29/d\, Napoli\, 80135\, Italia
CATEGORIES:Museo Nitsch
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2024/04/flora-sara.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20240409T180000
DTEND;TZID=Europe/Rome:20240731T203000
DTSTAMP:20260515T214053
CREATED:20240328T100407Z
LAST-MODIFIED:20240328T102511Z
UID:12805-1712685600-1722457800@www.fondazionemorra.org
SUMMARY:Millenanni Terzo Anno Henri Chopin. Visiva Utopia
DESCRIPTION:Millenanni Terzo Anno\nHenri Chopin. Visiva Utopia \nCurated by Giovanni Fontana\, Giuseppe Morra e Patrizio Peterlini \n9 April – 31 July 2024 \nCasa Morra. Archivi d’Arte Contemporanea\nSalita San Raffaele 20/c\, 80136 Napoli \nOn the occasion of the Third Year of Millenanni\, Fondazione Donnaregina per le Arti Contemporanee\, in collaboration with Fondazione Morra\, in the context of Progetto XXI\, unveils on 9 April 2024 the exhibition Henri Chopin. Visiva Utopia (ENG “Henri Chopin. Visual Utopia”). \nAs an artist of remarkable experimentation in the field of the international neoavanguardia (New Vanguard)\, Henri Chopin (Paris\, 1922 – London\, 2008) ushers his path into the great cultural ferment of “concrete poetry”. In the landscape of verbo-visual research in the second post-war period\, Chopin fits fully as an important figure in relation to the specific movement of “sound poetry”\, and yet his career cannot be encompassed within a single experience. Audio-poèmes (Audio-poems)\, voice recordings of deformation and distortion of the voice through magnetophon\, dactylo-poèmes (Type-poems)\, typographic practice and exploration of the formal framework of the word\, but also performance art experiences\, editorial and pamphlet writing\, film directing\, theoretical and theatrical writing. Henri Chopin corrupts every prescriptive mode in his practice of life\, and proceeds in horizontal research as compared with the fields of lexicon\, acoustics and grammar\, breaking the automatic relationships between them. The word is at degree zero\, the voice restores its sonorous body\, favouring the signifier over the semantic. Sensoriality prevails upon the relational sense of the verb. \nThe exhibition is not exclusive to the observation of the artistry of Chopin\, but is organised as a symposium between converging\, but not standardised figures from the neo-avant-garde movements. Paul de Vree and Bernard Heidsieck\, close to Chopin and equally associated with the experience of the “poésie sonore”\, are present in the exhibition; together with them\, the most representative names of the season of visual poetry in Italy: Eugenio Miccini\, Lamberto Pignotti\, Arrigo Lora Totino\, Ugo Carrega\, Stelio Maria Martini\, Luigi Tola\, Rodolfo Vitone\, Michele Perfetti\, Luciano Caruso and Giovanni Fontana. Situated in a network of synaesthetic interchange between artists from the collective experiences of Gruppo 63\, Gruppo 70\, Gruppo Tool\, as well as deriving from the editorial framework of the publications Documento Sud and Linea Sud\, the extent of Chopin retains its distinctiveness. His investigation\, characterised by the phonetic dismantling of language\, emerges and enters into a dialogue of poietic and poetic confrontation with other artists. A section of documents\, curated by Domenico Mennillo\, presents\, as a corollary to the exhibition\, some materials contained in the Henri Chopin Archive housed in the Casa Morra spaces: invitations\, posters\, photographs\, letters and preparatory writings for texts and performances\, magnetic tapes\, records and audio cassettes. \nThe collaboration between Fondazione Morra and Henri Chopin has been well established since the 1980s\, and found its expression through productions of miscellaneous nature\, supporting Chopin in his research with regards to verbal-visual scores. Moreover\, through the publication of his works in Italian translation\, including “L’ultimo romanzo del mondo” (“The Last Novel of the World”) ([1961]\, Edizioni Morra\, Naples\, 1984)\, “La Conferenza di Yalta” (“The Conference of Yalta”) ([1984] Edizioni Morra\, Naples\, 1987) or “Il gambero cosmografico” (“The Cosmographic Lobster”) and “Il granchiolino innamorato” (“The Little Crab in love”) ([1965 and 1967]\, Edizioni Morra\, Naples\, 1994) published by the same Foundation\, the fellowship between Giuseppe Morra and Henri Chopin acquired further consistency. \nDuring the days of 9\, 10 and 11 April\, Henri Chopin. Visiva Utopia (ENG “Henri Chopin. Visual Utopia”) will be supported by the interventions of Giovanni Fontana and Patrizio Peterlini\, exhibition curators\, Angela Tecce\, President of Fondazione Donnaregina per le Arti Contemporanee\, Eva Elisa Fabbris\, Director of Museo Madre\, Cecilia Bello Minciacchi\, professor of Contemporary Italian Literature at the University of Rome “La Sapienza”\, Barbara Meazzi\, professor in 20th century Italian Literature and Civilisation at the University of Nice\, Domenico Mennillo\, scientific curator of the Archives at Fondazione Morra\, Girolamo De Simone\, musician and cultural agitator\, Domenico Napolitano (SEC_)\, sound artist\, Mario Franco\, film critic and creator of the homonymous archive within the Foundation\, and Barbara Anceschi\, Greek scholar and editorial director of Edizioni del Verri. In parallel\, the critical lectures will be accompanied by performances by the duo “Acchiappashpirt” (Jonida Prifti and Stefano Di Trapani)\, Umberto Petrin. \nFrom April to July\, a special program of twelve film screenings will be presented in the spaces of Archivio Mario Franco to interact with the historical period analyzed. \nThe intermedial artistic production of Henri Chopin triggers a further exploration of the avant-garde current related to visual poetry and the use of words in all its declinations. Fondazione Morra intends to position itself as a subject of connection\, stitching together parallel experiences and foreshadowing possible avenues of research for the future. \nProgetto XXI is the platform through which Fondazione Donnaregina per le Arti Contemporanee has aimed\, since 2012\, to explore on the one hand the emerging artistic production\, in its theoretical-practical realization\, and on the other hand the most seminal artistic practices of the last decades\, in their exemplary methodological proposal. The project thus contributes to the production and dissemination of alternative narratives and historiographies of the contemporary and to the definition of a regional contemporary arts system based on collaboration and interchange between public and private institutions operating in the Campania region. \nThe exhibition is funded as part of the project “Rilancio e sostegno della Fondazione Donnaregina- Sez. Progetto XXI” – POR FERS Campania 2014/2020 \n  \nHenri Chopin. Visiva Utopia\n(Henri Chopin. Visual Utopia)\nProgramme of events \nTuesday 9 April \n6 p.m. Henri Chopin. Visiva Utopia (ENG. Henri Chopin. Visual Utopia) \nInterventions by: Angela Tecce\, President Fondazione Donnaregina per le Arti Contemporanee\nEva Elisa Fabbris\, Director Museo Madre\nBarbara Anceschi\, Editorial director Edizioni del Verri\nGiovanni Fontana\, Director Fondazione Berardelli\nPatrizio Peterlini\, Director Fondazione Bonotto\nGiuseppe Morra\, Director Fondazione Morra \n8 p.m. VOCÈMI Dismisure foniche e lallazioni randagie per Henri Chopin \nPoietic performance by Giovanni Fontana \nWednesday 10 April \n6 p.m. Henri Chopin. Archivio visivo e performativo (ENG. Henri Chopin. Visual and performative archive) \nInterventions by: Domenico Mennillo\, Scientific curator Archivi Casa Morra\nDomenico Napolitano (SEC_)\, composer of concrete and electroacoustic music\nBarbara Meazzi\, Université Côte d’Azur – du son dans les oreilles: Henri Chopin e i tentacoli del Verbo  \n7 p.m. Secret Performance \nPerformance by duo Acchiappashpirt (Jonida Prifti and Stefano di Trapani) \n8 p.m. Liturgie du Souffle \nPerformance by Girolamo De Simone\, piano and electronics \nThursday 11 April \n6 p.m. Henri Chopin. Attuale Utopia (ENG. Henri Chopin. Current Utopia) \nInterventions by: Patrizio Peterlini – Henri Chopin: l’utopista del linguaggio\nCecilia Bello Minciacchi – La forza della voce. Chopin\, Vicinelli\, Balestrini\nGiancarlo Alfano – Sonorità\, visività\, cut-up: vie della poesia tra Henri Chopin e Nanni Balestrini\nStefania Zuliani \n8 p.m. LA VOCE IN SITUAZIONE Teoria e pratica della vocalità per testo e pianoforte jazz \nVoice streams: Giovanni Fontana\nPiano: Umberto Petrin \n6.30 p.m. La macchina fagocitante di Henri Chopin \nPerformance by Domenico Napolitano (SEC_)
URL:https://www.fondazionemorra.org/en/evento/millenanni-terzo-anno-henri-chopin-visiva-utopia/
LOCATION:Casa Morra\, Salita San Raffaele 20C\, Napoli\, 80136
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2024/03/millenannichopin.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231020T193000
DTEND;TZID=Europe/Rome:20231020T223000
DTSTAMP:20260515T214053
CREATED:20231018T084025Z
LAST-MODIFIED:20231018T084025Z
UID:12431-1697830200-1697841000@www.fondazionemorra.org
SUMMARY:Jeanne Liotta - Eternal Returns
DESCRIPTION:JEANNE LIOTTA \nETERNAL RETURNS\nLand of Enchantment 1994\, Super 8mm\, color\, silent\, 3 min.\nCrosswalk 2010\, video\, color & b/w\, sound\, 18 min. 45 sec.\nSoon It Would Be Too Hot 2014\, HD video\, color\, sound by Zach Layton\, 7 min.\nObservando El Cielo 2007\, 16mm\, color\, sound by Peggy Ahwesh\, 19 min. \nEXPANDED FILM PERFOMANCE\nPath of Totality 2017\, 16mm film loop\, concrete and transparent objects\, +/- 30 min. \nfriday 20 october 2023 at 19:30\nMuseo Hermann Nitsch vico lungo Pontecorvo 29/d Napoli \nOn a European tour\, for an exceptional chance return in Naples Jeanne Liotta\, New York-based artist intersecting art\, science\, & natural philosophy in her Science Project. “Working with film has something of a scientific base in and of itself – you have that chemical aspect\, you’ve got the optical aspect\, so you’re really dealing with perception\, ultimately\, which I could call science\, in a way; it’s some science and philosophy. I use the term ‘natural philosophy’ a lot because that’s what we used to call it before we had this term ‘science’. It was everyone’s job – it was like citizen science. Each person has the responsibility or the opportunity as a human being to discover what their world is made of and what they think about it\, to observe and take notes and reflect upon – that’s our job as human beings somehow\, that’s what I feel like I’m doing when I make things. It’s just my thinking.” \nIn 2010 for Independent Film Show 10 edition\, we got to know the ‘naturalistic’ films observing the movements of the Earth\, and then in 2018 for IFS18 edition we immersed ourselves in the expanded film performance at the Vigna San Martino and in the live feed augmented reality video installation In This Immense Space Hidden Things Appear Before Us\, video imagery shot in real time by smartphones installed onto the Museo Nitsch’s roof are superimposed with computer generated SkyView renditions of the actual planets\, constellations\, space stations\, and ‘junk’\, passing the Earth’s orbit; in the exhibition Break the sky the Bruno Studies watercolors based on the silhouette of the Bruno’s statue in Campo de’ Fiori\, the inks and the Nightly Studies watercolors and inks that draw the maps of the night skies observed in the locations around the world during her film research\, and the Articuli photograms\, hand-printed in the darkroom\, inspired by the Copernican diagrams woodcuts of the philosopher Dominican friar G. Bruno. \nOn Friday 20 October 2023 at 19:30 are scheduled the four films and the expanded film performance: \nLAND OF ENCHANTMENT (1994\, Super 8mm\, color\, silent\, 3 min.) First encounter with the New Mexico landscape with Super 8mm kodachrome camera roll\, with a compass. A mystical land where the compass can’t find north. Lost in the moment. \nCROSSWALK (2010\, video\, color & b/w\, sound\, 18 min. 45 sec.) Set in New York’s Losaida\, Crosswalk’s directness – embodied in handheld shots and the grainy tactility of Super 8mm – respects its subject. The camera follows a Good Friday procession on the Lower East Side. Through crowded streets\, the Christ figure falls the requisite three times as ‘soldiers’ lash him into line. Sensitized to her material’s connotations\, Liotta avoids messages. The religious pun of the title extends easily to the cultural and racial cross-sections of the environment; to the aural juncture of police sirens\, traffic\, hip-hop\, and a voice-over religious text; to the reenactment of a biblical event amid storefronts\, banks\, and vehicles. \nSOON IT WOULD BE TOO HOT (2014\, HD video\, color\, sound by Zach Layton\, 7 min.) Taking its title from the first line of James G. Ballard 1962 climate-fiction novel The Drowned World which vividly describes a dystopic future Earth\, Soon It Would Be Too Hot utilizes original imagery\, sound and the most current CO2 data visualizations to consider the ongoing state of melting Arctic sea ice due to the warming of air and oceans fundamentally caused by our carbon emissions. It was commissioned for a unique science/art collaborative think tank for projection on NOAA’s Science on a Sphere\, a 360 global platform for earth science education. Premiered at the Fiske Planetarium\, Boulder CO. \nOBSERVANDO EL CIELO (2007\, 16mm\, color\, sound by Peggy Ahwesh\, 19 min.) Liotta filmed the sky over a period of seven years from remote sites and draw inspiration from the writings and Copernican diagrams by cosmologist and philosopher Giordano Bruno as well as current augmented reality ‘stargazing’ smartphone apps for the identification of celestial objects. Although created 500 years apart\, Liotta asserts that in essence both approaches serve to allow us to visualize our location in space and consider our existence within the wider universe. \nPATH OF TOTALITY (2017\, 16mm film loop\, concrete and transparent objects\, sounds by Eric Baus\, Phil Cordelli\, and Oren Silverman\, +/- 30 min.) Inspired by the total solar eclipse of August 2017\, visual concepts of light latency\, peripheral vision\, and the cosmic imagination are activated through the use of simple objects and external water lenses. \nJeanne Liotta (1960\, New York USA) makes films\, videos\, and other ephemera including installation\, film performance\, works on paper\, and photography. Her works encompass a constellation of mediums and her investigations of the ephemeral and the real in cinematic time is often located at a lively intersection of art\, science\, and natural philosophy. Observando El Cielo was voted one of the top films of the decade by The Film Society of Lincoln Center\, took the Tiger Award for Short Film at Rotterdam International Film Festival\, and was listed in Artforum 2007 Top Ten Films. \nFor 17 years she was the creative force behind Firefly Cinema\, a community garden microcinema curated from the 16mm collection at The New York Public Library; she wrote a short monograph on the Films of Joseph Cornell published by SF Cinematheque for “Navigating the Imagination Cornell retrospective” at SFMOMA\, from her research on The Joseph Cornell Film Collection at Anthology Film Archives\, New York. \nLiotta has more recently published an essay in Millennium Film Journal\, titled “Enter Germs\, Enter the World: Hand Processing Artists Films in the AIDS Era”. Currently she is a Professor at the University of Colorado Boulder where she directs the graduate program in Film and has been mentoring graduate students in the Bard MFA program NY for many years. Her films are distributed by Light Cone\, Paris and her work is represented by Microscope Gallery\, NYC \nhttp://www.jeanneliotta.net/
URL:https://www.fondazionemorra.org/en/evento/jeanne-liotta-eternal-returns/
LOCATION:Museo Hermann Nitsch\, Vico Lungo Pontecorvo 29/d\, Napoli\, 80135\, Italia
CATEGORIES:Museo Nitsch
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2023/10/eternalreturns-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20231019T190000
DTEND;TZID=Europe/Rome:20231115T190000
DTSTAMP:20260515T214053
CREATED:20231005T090743Z
LAST-MODIFIED:20231005T090743Z
UID:12412-1697742000-1700074800@www.fondazionemorra.org
SUMMARY:Our Truths Flow Together With the Waves ch.II
DESCRIPTION:Our Truths Flow Together With the Waves ch.II\nImagining – shaping feminist constellations\nCurated by Sara Guidi \nOctober 19 – November 15\, 2023\nArchivi Mario Franco – Casa Morra. Archivi d’Arte contemporanea\nSalita San Raffaele 20/c\, 80136 Napoli \nOpening October 19\, from 7pm \nThe project Our Truths Flow Together With the Waves ch.II\, curated by Sara Guidi\, will be inaugurated at Archivi Mario Franco – Casa Morra. Archivi d’Arte Contemporanea on Thursday October 19\, at 7pm. The first chapter of the project was hosted by the Italian Cultural Institute in Copenhagen\, in July 2023. \nOur Truths Flow Together With the Waves is the result of research on the artistic path of the Nemesiache\, a feminist group founded in Naples by Lina Mangiacapre (1946-2002) in 1970; the group’s commitment lasted about five decades. \nWhere do our memories lie? How to re-signify them\, internalize them? What kind of relationships can we establish within an archival realm? The curatorial project invites the audience to engage with selected archival material\, including written and audiovisual material\, photographs and costumes. \nOur Truths Flow Together With the Waves ch.II will be on display at Casa Morra until November 15\, during regular opening hours. \nWorkshop \nThe project includes a workshop curated by Mattias Gimigliano\, a performer and artist based in Berlin. The workshop\, titled In This Garden of Stars\, I Was\, I Can Be explores consciousness-raising practices\, focusing on vocal and physical exercises. \nThe project is open to all voices and bodies and takes place at Giardino Liberato di Materdei (Salita S. Raffaele\, 3 – Naples) on Saturday 21 and Sunday 22 of October. \nIn This Garden of Stars\, I Was\, I Can Be is free of charge but reservation is required\, info&subscription: mattiasgimigliano@gmail.com \nRead more on the workshop: here. \nOnline catalogue \nOur Truths Flow Together With the Waves comes with an online catalogue\, which focuses on the Nemesiache’s artistic path and explores ways to revive their methodologies and approaches in the present. \nMore info and subscription: here. \nThe newsletter program\, initiated in July 2023\, provides subscribers with interviews featuring some of the members of the Nemesiache\, along with critical content contributed by Giulia Damiani (performer\, curator\, writer and professor at the Rietveld Academie in Amsterdam – the first researcher to study the Nemesiache’s path)\, Sonia d’Alto (curator and researcher at the HFBK in Hamburg)\, and Sara Guidi (project’s curator). The newsletter also includes a performative guide on perception curated by Mattias Gimigliano. \nCritical content is collected by Nero Magazine and Reading Aloud. \nThe Nemesiache \nThe artistic-feminist group Nemesiache was founded in Napoli in 1970; the term “nemesiache” refers to Nemesis\, a mythological goddess in Greek mythology who enacts to restore harmony violated by egocentrism and hubris\, traits which characterize the patriarchal societies. The notion of justice claimed by the Nemsiache does not refer to social order or legal systems; instead it focuses on a dimension where women can explore and express their inner selves. Many of the activists of the group identified (and still identify) themselves by referring to women characters of mythology\, such as Daphne\, Echo\, Medea\, Nemesis\, Niobe… \nThe feminist struggle pursued by the Nemesiache is deeply connected with the city of Napoli\, its Mediterranean landscape and myths. The group combines the struggle for women’s liberation with the defense of the Neapolitan sea\, which is threatened by privatization\, pollution and urbanization. The Nemesiache’s exploration of pre-roman mythology arises from their interest in body language and transcend the oversimplified mind-body duality. Through gestures\, rituals\, music and dance\, the Nemesiache raised their own way to explore and affirm inner dimensions\, identities. \nThe group’s path is characterized by the affirmation of creativity as a form of political struggle; in that sense\, activism and artistic practices intersect\, rejecting professionalism and embracing multi and interdisciplinary approach across various media. \nWe are not interested in the crisis of male creativity\, we as Nemesiache know the our new dimension or\, let’s say or metaphysic\, turn everything down\, our creativity is our world that emerges\, explodes by turning down everything\, and discovers infinite\, fantastic unknown dimensions (The Nemesiache’s Manifesto\, written in 1970\, published two years later). \nPartners:  Trust nel nome della Donna\, Giardino Liberato di Materdei\, Reading Aloud\, Nero Magazine e ST:ART.
URL:https://www.fondazionemorra.org/en/evento/our-truths-flow-together-with-the-waves-ch-ii/
LOCATION:Casa Morra\, Salita San Raffaele 20C\, Napoli\, 80136
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2023/10/nemesiache-event.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230928T170000
DTEND;TZID=Europe/Rome:20240131T190000
DTSTAMP:20260515T214053
CREATED:20230910T113458Z
LAST-MODIFIED:20230910T114004Z
UID:12346-1695920400-1706727600@www.fondazionemorra.org
SUMMARY:The Intimate Resistance: 1971-2023 Mike Parr
DESCRIPTION:The Intimate Resistance: 1971-2023 Mike Parr \nCurated by: Eugenio Viola \n28 September 2023 \nCasa Morra.Archivi d’Arte Contemporanea\nSalita San Raffaele 20/C \nOn Thursday 28 September\, at 5 pm\, Casa Morra will inaugurate Mike Parr. The Intimate Resistance: 1971-2023\, a retrospective curated by Eugenio Viola and organised in collaboration with MAMBO – Museo de Arte Moderno di Bogotà (Colombia) presenting\, for the first time in Italy\, the work of Australian artist Mike Parr. \nOn the opening day\, the artist will present a long-durational performance specially conceived for this exhibition\, Painting Towards a Hole (2023)\, from 5:00 p.m. to 7:00 p.m. \nThe title of the exhibition\, The Intimate Resistance\, is borrowed from the book of the same name by the Catalan philosopher Josep Maria Esquirol (La resistencia intima\, 2015)\, a profound reflection on the human condition that becomes the hypertext for offering an open panorama of Mike Parr’s subversive and radical work. \nMike Parr (Sydney\, 1945\, where he lives and works) is internationally recognised as one of the founding fathers of performance art. Over the course of a career spanning more than 50 years\, the Australian artist has challenged the limits of this medium within the parameters of art history and theory\, confronting the concepts of space\, time\, resistance\, memory\, and the mechanics of representation. \nMike Parr is among the pioneers who shaped performance art in Europe and the Americas in the late 1960s and early 1970s. Moreover\, he is among the very few artists who still use performance as their preferred means of expression. \nParr has always used his body as subject\, object and medium to explore the physical and mental limits of his own being. His work is often connected to pain\, involves bodily fluids\, requires acts of extreme resistance and appears disturbing and visceral. For this reason\, his performances provoke complex reactions that emotionally and intellectually challenge the artist himself and\, in many cases\, the spectators. \nThe Intimate Resistance includes photos\, films\, videos\, single and multi-channel video installations\, engravings\, and rare archival materials. Parr’s research is represented through over 80 oeuvres produced in five decades: including the early “task performances”\, like Pushing a Movie Camera Over a Hill (1971)\, or Hold Your Breath for as Long as Possible/ Hold Your Finger in a Candle Flame for as Long as Possible (1972). Some of his most controversial pieces are included\, like Cathartic Action: Social Gestus No.5 (The “Armchop”) (1977). Also\, some works are presented for the first time\, like Falling Self-Portrait (2023). \nMontage in Space & Time (1971-2023) offers an extraordinary overview of Parr’s radical work\, condensed into a synchronised four-channel video installation. A combination of videos\, almost a retrospective within a retrospective\, which seamlessly re-proposes his most daring and challenging actions\, presented in a deliberately episodic and disjointed manner. \nPhoto-Death (2023)\, on the other hand\, is a work that synthesises the artist’s entire career in a chronological sequence of images\, confronting the viewer with the photographic documentation of some of Parr’s most shocking performances. Both Montage in Space & Time and Photo-Death represent the artist’s attempt to determine new ways of representing performance\, safeguarding its memory for the future. \nPainting Towards a Hole and a Head (2023) is a new ‘site-responsive’ performance that Parr conceived for this exhibition\, linked to a series of Blind Paintings that the artist has made over the years\, strictly with his eyes closed and refusing even to see the audiovisual documentation of the result. \nThe Intimate Resistance offers the possibility of appreciating\, from a unified perspective\, all the coherence of Mike Parr\, one of the most extreme\, irreverent\, ironic\, radical\, blasphemous\, unrepentant and iconoclastic living artists who has experimented with and challenged performance art\, shaping its fields and territories and even determining its outcomes. \nThis exhibition also celebrates the donation of Mike Parr’s entire archive to Casa Morra\, which confirms its commitment to preserving\, exhibiting and promoting the archives of fundamental figures in the history of contemporary art\, such as Julian Beck\, Luca Maria Patella\, the Living Theatre and Vettor Pisani. \nMany thanks to Penny Clive and Anna Schwartz. \nProject financed by Regional Law no. 7/2003\, grants for cultural promotion year 2023. \nMike Parr co-founded in 1970 with Peter Kennedy\, Inhibodress Gallery\, the first artist run space in Australia that is credited with spreading conceptual and performance art across the continent. He has had numerous exhibitions in Australia and internationally over more than half a century. The latest include The Eternal Opening\, Schwartz/Carriageworks\, Sydney\, 2019; Underneath the Bitumen the Artist\, DarkMofo/Detached\, Hobart\, 2018; The Ghost Who Talks\, 55th Venice Biennale\, Palazzo Mora\, Venice\, 2013. He represented Australia at the 39th. Venice Art Biennale\, in 1980. Major retrospectives include Edelweiss\, Kunsthallewien\, Vienna\, 2012; Foreign Looking\, National Gallery of Australia\, Canberra. 2015; The Intimate Resistance\, Museo de Arte Moderno de Bogotá – MAMBO\, 2023. \nEugenio Viola is since 2019 Chief Curator of MAMBO – Museo de Arte Moderno de Bogotá\, in Colombia. From 2017 to 2019 he was Senior Curator at PICA – The Perth Institute of Contemporary Arts in Perth\, Western Australia. From 2009 to 2016 he was Curator at the MADRE Museum in Naples. He has collaborated with numerous Italian and international institutions. He curated in 2015 the Estonian Pavilion at the 55. Venice Biennale and in 2022 the Italian Pavilion at the 59. Venice Biennale. A scholar of experiences related to performance and the body\, he edited monographs dedicated to Teresa Margolles (Edizioni MAMBO\, Bogotà\, 2019); Regina Jose Galindo (Skira\, Milan\, 2014); Hermann Nitsch (Edizioni Morra\, Naples\, 2013); Marina Abramović\, (Sole 24 Ore Cultura\, Milan\, 2012); ORLAN (Charta\, Milan-New York\, 2007). \nA new monograph dedicated to the artist’s work\, The Intimate Resistance\, produced by the Fondazione Morra in collaboration with the Museo de Arte Moderno de Bogotá – MAMBO\, in an Italian/English edition (Edizioni Morra) and in an English/Spanish edition (Edizioni MAMBO)\, edited by Eugenio Viola\, will soon be published.
URL:https://www.fondazionemorra.org/en/evento/the-intimate-resistance-1971-2023-mike-parr/
LOCATION:Casa Morra\, Salita San Raffaele 20C\, Napoli\, 80136
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2023/09/parr-banner.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230720T080000
DTEND;TZID=Europe/Rome:20231210T170000
DTSTAMP:20260515T214053
CREATED:20230708T110922Z
LAST-MODIFIED:20230708T113733Z
UID:12202-1689840000-1702227600@www.fondazionemorra.org
SUMMARY:Neapolitan Dialogues III – Out of the “Basso”
DESCRIPTION:Neapolitan Dialogues III – Out of the “Basso”.   \nSoon Naples will host three Portuguese artists in residency. The project is curated by Vittorio Urbani with Fabio Schiattarella from Fondazione Morra. \nThe Neapolitan Dialogues\, an artistic project that aims to establish a dialogue between Lisbon\, Naples and Istanbul\, three great cities of the South situated on the same parallel\, is now at its third edition (after the two first editions dedicated to Istanbul)\, preparing to host in two different periods respectively Sara & Andrè\, a couple of Portuguese artists who will stay in Naples from July 20 to August 20\, 2023; and Lorenzo Bordonaro\, an Italian artist living in Lisbon from 20 years\, from November 1 to December 10\, 2023. \nThe residencies of Neapolitan Dialogues\, hosted in the spaces of Fondazione Morra\, are always characterised by a strong social engagement. In this residency\, the artists are proposed to start from the intersection of three references\, the first socio-political\, the second mythological\, and a third socio-environmental – regarding the so called Basso – the cheaper accommodation in Naples\, usually inhabited by the lower strata of society and immigrants – which represents a typically Neapolitan life context. \nThe project of the Neapolitan Dialogues arises from the need of a greater awareness of the essential values of the South and want to go against the current compulsory North-South axis\, in which the vector of cultural values\, economic resources\, opportunities and workforce always goes from South to North in a covered\, but nonetheless real economic exploitation of a capitalistic type. On the contrary\, the aim is to favour a new awareness of the cultural values and centrality of the South\, and to promote collaborations and conversations primarily internal into the South. \nAt the end of the residency\, the artists will share their experience with the citizenship in a public meeting in the spaces of Fondazione Morra. \nNeapolitan Dialogues III are produced by Fondazione Morra\, Naples\, in collaboration with Nuova Icona\, Venice with the Patronage of the Embassy of Portugal\, Rome \nARTISTS’ BIO \nSara & André were born in 1980 and 1979\, in Lisbon\, where they live and work\, and studied respectively\, Stage Design at the School of Theatre and Cinema (Lisbon\, 1999-2005)\, and Fine Arts at the School of Art and Design (Caldas da Rainha\, 1999-2005). Together they studied Painting at the National Society of Fine Arts (Lisbon\, 2008-2011). They have regularly exhibited their work since 2006. The duo works with text\, painting and other media in site specific projects\, repeatedly collaborating or inquiring other cultural producers and conveying ideas such as authorship\, appropriation\, originality and\, in particular\, the study of the art world. Along with their artistic practice\, Sara & André have also developed several curatorial projects\, either exhibitions\, editions or both\, in recent years. \nLorenzo Bordonaro was born in Torino in 1971 where he majored in philosophy and social sciences. In 2001 he moved to Portugal where he obtained his PhD in Anthropology. He also studied painting and drawing at Ar.Co (Lisbon) and sculpture at the Academy Fine Arts (Lisbon). \nHis artistic practice merges with the anthropological research: his installations\, paintings and public art projects are often rooted in a wider social reflexivity and in political and\, more recently\, environmental activism. He carried out public art projects in different social contexts and geographical areas: from Brazilian favelas to shanty towns at the periphery of Lisbon; from the Cape Verdean ghettos to the historical neighbourhoods of Graça and Mouraria\, in Lisbon. \nPress
URL:https://www.fondazionemorra.org/en/evento/neapolitan-dialogues-iii-out-of-the-basso/
LOCATION:Fondazione Morra\, Salita San Raffaele 20/c\, Napoli\, Italy
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2023/07/banner-nd3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230528T080000
DTEND;TZID=Europe/Rome:20230528T170000
DTSTAMP:20260515T214053
CREATED:20230428T134129Z
LAST-MODIFIED:20230428T134129Z
UID:12063-1685260800-1685293200@www.fondazionemorra.org
SUMMARY:THE 6-DAY-PLAY performance of the 3rd day “day of dionysus”
DESCRIPTION:HERMANN NITSCH\nDAS ORGIEN MYSTERIEN THEATER\nTHE 6-DAY-PLAY \nperformance of the 3rd day “day of dionysus”\nPentecost Sunday\, 28 May 2023 from sunrise to sunrise\nSchloss Prinzendorf and the surrounding area\, Austria \n3rd day\nTHE DAY OF DIONYSUS\nSCHERZO\nOBLIGATORY EXCESS \nthe third day addresses the myth of the god dionysus\, the archetype of dionysus and the phrase DIONYSUS AGAINST THE CRUCIFIED. dionysus is the god of the world’s ruin and rebirth\, the resurrection of flesh. he is the crucified\, torn and resurrected. the ruins and rebirths of worlds pulsate through his flesh. the never-ending\, recurring big bang has its source in the vitality of his body. all suppressed unlived life should be turned outward. we want to invoke the abysses of the nature found in us\, that determine us\, by awakening in excess. people are invited to drink. procession through the fields and vineyards. music plays in all the places. intoxicating and uninhibited joy. \nTickets and information: \nparticipation fee: € 350.-\nearly-bird tickets for bookings until 5 May 2023: € 300\,00\nmembers of the vereins zur förderung des o.m. theaters: € 175\,00\nwith at least 3 years of active membership (i.e. continuos payments of the yearly fee\, excluding honorary members) \nNITSCH FOUNDATION\, Hegelgasse 5\, 1010 Vienna\nTel +43 1 513 55 30 | office@nitsch-foundation.com\nwww.nitsch-foundation.com/en/6-day-play
URL:https://www.fondazionemorra.org/en/evento/the-6-day-play-performance-of-the-3rd-day-day-of-dionysus/
LOCATION:Atelier Hermann Nitsch\, Schlossstraße 1\, Prinzendorf\, 2185\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2023/04/HN_6-tage-spiel_1998.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230513T210000
DTEND;TZID=Europe/Rome:20230513T233000
DTSTAMP:20260515T214053
CREATED:20230509T211338Z
LAST-MODIFIED:20230509T211950Z
UID:12090-1684011600-1684020600@www.fondazionemorra.org
SUMMARY:CHRISTOPH ERB GERRY HEMINGWAY MAGDA MAYAS
DESCRIPTION:CHRISTOPH ERB GERRY HEMINGWAY MAGDA MAYAS\ntenor- and soprano saxophone – percussions – piano \nSONIC TOPOGRAPHIES \na guide to what we can hear but cannot see \nCasa Morra. Archivi d’Arte Contemporanea\nsaturday\, May 13\, 2023 9:00 p.m.\nfree admission subject to availability \nIn an Italian premiere\, Christoph Erb\, Gerry Hemingway and Magda Mayas will improvise in the performance SONIC TOPOGRAPHIES a guide to what we can hear but cannot see on saturday\, May 13\, 2023 at 9 p.m. at Casa Morra Archivi d’Arte Contemporanea\, organized in collaboration with Complus Events\, Fondazione Morra and E-M Arts cultural association. \nChristoph Erb on tenor and soprano saxophone\, Gerry Hemingway on percussions and Magda Mayas on piano: their performance is free and decidedly improvised. There are no boundaries in this vibrating interaction between bodies\, instruments and silence\, the sonic fabric surprise us with new aural vistas. These sounds result imposing\, eruptive\, sometimes brutal\, sometimes calm or hypnotic. A unique chance to participate in a spectacular\, courageous\, and exciting performance. \nThe other two tour dates\, promoted by Complus Events with the support of Pro Helvetia Swiss Foundation for Culture\, KANTON LUZERN Kulturförderung SWISSLOS\, SIS Schweizerische Interpretenstiftung\, Fondation Nicati-de Luze\, are in Rome on Friday\, May 12 at the Auditorium Rai Radio 3 Suite and Sunday\, May 14 at SIC12 artstudio. \nSince 2009 Gerry Hemingway taught the art of percussion at the Hochschule Lucerne (University of Applied Sciences and Arts)\, where Magda Mayas also is teaching improvisation since 2019. \nBathing Music is the trio’s first event performed on Oct. 9\, 2020 at Neubad in Lucerne\, and four days later Dinner Music on Oct. 13\, 2020 at the Mysterious Jazz club in Zurich; both recordings are released by Veto Records. www.veto-records.ch \nUnited by the intuition that undulating\, monotonously tapped sounds have a particular effect when rubbed and layered\, Erb blows small fluctuations and knocks like echoes of whistles spread by the wind\, Hemingway makes the metal of cymbals tick like bells submerged underwater\, and Magda Mayas indulges in the vibrations emitted by prepared strings trembling in rapid and lively motion. \nChristoph Erb (1973\, Switzerland) is active with his independent label Veto Records since 2007; in 2011 he moved to Chicago for a residency of several months and here created numerous collaborations with improvising musicians such as Fred Lonberg-Holm\, Michael Zerang\, Jason Adasciewicz\, Tomeka Reid\, Jim Baker\, Frank Rosaly and many others. www.erb.li \nGerry Hemingway (1955\, USA) involved in improvised music generated without preordained instructions\, structures or agreements\, he is composer\, singer and film-maker\, member of the Anthony Braxton Quartet from 1983 to 1994. https://www.gerryhemingway.com \nMagda Mayas (1979\, Germany) a pupil of the genius improviser pianist Misha Mengelberg\, has refined the technique of the prepared piano and developed a particular way of playing the strings through preparations and objects that become extensions of the instrument itself. www.magdamayas.com \nMedia Partner
URL:https://www.fondazionemorra.org/en/evento/christoph-erb-gerry-hemingway-magda-mayas/
LOCATION:Casa Morra\, Salita San Raffaele 20C\, Napoli\, 80136
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2023/05/trio_emh.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230509T100000
DTEND;TZID=Europe/Rome:20230521T190000
DTSTAMP:20260515T214053
CREATED:20230104T142643Z
LAST-MODIFIED:20230104T143302Z
UID:11336-1683626400-1684695600@www.fondazionemorra.org
SUMMARY:OEDIPUS. BODY OF BLOOD | Process II - PENTESILEA | Teatro delle Bambole
DESCRIPTION:  \nFondazione Morra and Teatro delle Bambole\nin collaboration with Casa del Contemporaneo\npresent \n  \nOEDIPUS. BODY OF BLOOD\nProcess II – PENTESILEA \nInternational Masterclass on the relationship between sound and body\nfrom Kleist’s “Penthesilea” in Hermann Nitsch’s reinterpretation\nheld by Andrea Cramarossa \n  \n“… She loved him so much that she could\, at the same time\, have eaten him out of love.”\nThese words\, so close to myth\, relate Penthesilea to mythic elements. One associates\, these words\, with the meal of the totem\, the meal of God in the Eucharist\, the flesh of God\, the host. Eating the body of the beloved means complete identification with it. Maximum love: ecstatic transgressive love leads to the concept of laceration.\nPerhaps\, the only word that remains after Penthesilea’s sacrifice is\, in fact\, an ancient and guttural verse or song\, a deep song related to the primordial scream\, that of birth that carries within itself the dazzling and clear sense of death\, that of the myth that\, absolutely\, holds within itself the entire meaning of human existence.\nAndrea Cramarossa \n  \nPurposes\n– Get in touch with your own body through the practice of the ritual.\n– Get in touch with your own sound through the practice of the ritual.\n– Take possession of the “sense of the sacred” starting from the “sacred everyday”.\n– Make your own body sacred.\n– Make your own sound sacred.\n– Make the place sacred through the practice of sacrifice. \nGoals\n– To Study the text “King Oedipus/Pentesilea” by Hermann Nitsch to reach an immersive ritual practice.\n– To get involved by the myth of Oedipus to consolidate a collective and community narrative practice of the myth itself.\n– – To reach a possible “place” where the actor consider the sacredness of his being on stage with the surroundings\n– To Assimilate the sense of the sacred in theatrical practice.\n– To Learn the mechanism of regression (loss of one’s structural bonds – physical and mental prison) to identify the primordial physical impulses (Dionysian process).\n– Learn the mechanism of the sublimation of these impulses to make a mystical artistic creation of self-awareness.\n– Considering the artistic act of sacrifice as a need for transgression.\n– Considering the artistic act of love as a need for sublimation. \nWho is the Masterclass for?\nThe Masterclass is aimed at actors and actresses\, dancers\, musicians\, singers\, directors and directors of all ages and of all nationalities (held multilingual); also open to pupils with experience\, even occasional and not in-depth\, but felt and participated in the dramatic art and to anyone who wants to probe the relationships between sound and body through the text on Kleist’s “Penthesilea” in Hermann Nitsch’s “Oedipus Rex.”\nThe relationship with the body provides for the possibility of considering it in its nakedness.\nAt the end of the itinerary\, a double opening of the work to the audience is foreseen.\nAll participants will receive a certificate of participation.\nThe Masteclass is limited to a maximum of 20 participants. \nBiographical notes\nAndrea Cramarossa is a poet\, director and actor who\, after years of intense personal studies in the field of vocal research\, sound and voice applied to singing and speaking\, theorize\, on an experimental basis\, an approach to dramatic art through the use and knowledge of sound.\nHe is the first to take advantage of listening to the sound of the human voice in order to arrive at dramatic art by structuring a real acting model that is inspired by the work on sound by Gisela Rhomert and by Hermann Nitsch’s Theater of Orgies and Mysteries. \nCramarossa regularly holds workshops on voice and acting in Italy and abroad. He receives numerous awards in the artistic field including: “Young Oscar – European Personality” and the “Aligi D’Oro” Prize for Dramatic Art. With his artistic work “L’URLO” (The Scream) he received the first prize in 2013 at the FAP – Festival of Performing Arts. In 2003 he founded the theater research group Teatro delle Bambole. \nFor more info: www.teatrodellebambole.it \nDates & Timetables\nThe Masterclass will take place every day\nfrom 9 to 21 May 2023\nfrom 10 to 13 and from 16 to 19\nTotal: 72 hours \nAudience presentations on Saturday 20 May (at 9 pm) and Sunday 21 May (at 6 pm). \nWhere\nThe Masterclass will take place in Naples (ITALY):\nMuseo Hermann Nitsch\nNaples – Vico Lungo Pontecorvo 29 / d \nHow to apply / Deadline\nIt is essential to send your application accompanied by an artistic curriculum to info@teatrodellebambole.it\nYou can send your application from January 1\, 2023 to April 15\, 2023. \nAttendance fee: 280\,00 euros\nEARLY BIRD PRICE 250\,00 euros: Special reduced fee sending the application by 1 March 2023. \nSelection Result\nThe selected participants will be contacted by the organizational secretariat on\n– March 15\, 2023 (applications received by 1 March)\n– April 20\, 2023 (applications received after 1 March) \nThe registration is completed upon receipt of the copy of the deposit of 50%\, within five days following the communication of the selections.\nAfter this date the candidacy expires. Please note that the deposit is non-refundable\nPayment is only allowed by bank transfer.\nThe attendances are responsible for organizing and paying their own travel\, accommodation\, meals costs. \nDuring the Masterclass\, compliance with the measures envisaged for the containment of Covid-19 will be guaranteed. \nInfo:\nMuseo Hermann Nitsch – info@museonitsch.org – +39 081 5641655\nCasa del Contemporaneo – info@casadelcontemporaneo.it – +39 345 4679142 \nOEDIPUS. BODY OF BLOOD | Process II – PENTESILEA International Masterclass is organized by Fondazione Morra – Hermann Nitsch Museum and Teatro delle Bambole in collaboration with Casa del Contemporaneo.
URL:https://www.fondazionemorra.org/en/evento/oedipus-body-of-blood-process-ii-pentesilea-teatro-delle-bambole/
LOCATION:Museo Hermann Nitsch\, Vico Lungo Pontecorvo 29/d\, Napoli\, 80135\, Italia
CATEGORIES:Museo Nitsch
ATTACH;FMTTYPE=image/png:https://www.fondazionemorra.org/wp-content/uploads/2023/01/01_sito_Teatro-delle-Bambole_2023.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230422T110000
DTEND;TZID=Europe/Rome:20230501T180000
DTSTAMP:20260515T214053
CREATED:20230131T154457Z
LAST-MODIFIED:20230131T154731Z
UID:11615-1682161200-1682964000@www.fondazionemorra.org
SUMMARY:PARADISE NOW - Masterclass Living Theatre Europa
DESCRIPTION:Living Theatre Europa\nin collaboration with\nCSR AMÀLA\nand Fondazione Morra\npresents \n  \nPARADISE NOW\nWHO WE ARE? WHERE DO WE COME FROM? WHERE DO WE GO?\nRITUALS AND POLITICAL THEATER\nintensive masterclass\non The Living Theatre technique\ndirected by Gary Brackett \nFROM 22/04 TO 01/05 2023\nCasa Morra – Archivi d’Arte Contemporanea\nSalita San Raffaele 20/C\, Naples \n  \nToday we live immersed in seemingly irreconcilable opposites and we all suffer for a missing community that could heal the wounds of alienation.\n1968: The Living Theatre meets to ask itself what is the burning question of the contemporary.\nStarting from this same question\, each workshop participant will contribute to the process of collective creation.\nOur starting point for this work are the collective creations of The Living Theatre\, some of the most important masterpieces of modern theater that have forever changed the role between actor and director\, between audience and artist: Mysteries and Smaller Pieces\, Frankenstein\, Antigone\, Paradise Now and Six Public Acts. \nThe workshop is open to professional and non-professional actors.\nA work of collective creation aimed at the realization of the show. At the end of the laboratory there will be a demonstration performance of the workshop. \nThe complete application can be downloaded HERE. \n  \nFor more information \nCSR AMÀLA\nChristian: 349 2343967\nAnna Rita: 348 3385520\nassociazioneamala@gmail.com \nFONDAZIONE MORRA\nSalita San Raffaele 20/C\, Naples\ninfo@fondazionemorra.org\nwww.fondazionemorra.org
URL:https://www.fondazionemorra.org/en/evento/paradise-now-masterclass-living-theatre-europa/
LOCATION:Casa Morra\, Salita San Raffaele 20C\, Napoli\, 80136
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/png:https://www.fondazionemorra.org/wp-content/uploads/2023/01/01_sito_Living_Gary-Brackett_2023_02.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230209T000000
DTEND;TZID=Europe/Rome:20230331T000000
DTSTAMP:20260515T214054
CREATED:20230208T151806Z
LAST-MODIFIED:20230208T152442Z
UID:11705-1675900800-1680220800@www.fondazionemorra.org
SUMMARY:IL MUSEO CHE VERRÀ -CALL FOR PROPOSAL
DESCRIPTION:CASA MORRA – ARCHIVI D’ARTE CONTEMPORANEA\nand ICOM-CAMPANIA \npresent \n  \nIL MUSEO CHE VERRÀ\ncommunity | research | innovation\nII EDITION \n  \nCALL FOR PROPOSAL\nFROM 9 FEBRUARY TO 17 MARCH 2023\nAre you a student or a young professionals?\nTell us your idea to rethink the social role of museums connected to the younger generations and join ICOM Italia. \n  \nWHEN\nFrom 9 February to 17 March 2023 \nORGANIZED BY\nFondazione Morra and ICOM-Campania \nIN COLLABORATION WITH\nRegione Campania\nLuigi Vanvitelli University of Campania\nAcademy of Fine Arts of Naples\nPrime Ministers | School of politics for young women\nMediator | Museuminforms\nFAI Campania \nPARTICIPATION REQUIREMENTS \nYoung museum professionals under 35 and students regularly enrolled for the 2023 academic year in a degree course/academy of fine arts/PhD/specialization school/master related to the museum sector (Museology\, Museography\, Museum technology\, Cultural Heritage\, History of art\, architectural restoration\, archeology\, communication and management of cultural heritage\, conservation and diagnostics of cultural heritage\, etc.) residing in Campania. \nINFO AND REGISTRATION\ncampania@icom-italia.org \nThe best 50 proposals selected will be able to give shape to their idea of a museum in a social relationship with their community\, developing a prospectus hypothesis of social innovation.\nWorks that will see museums as important references for local communities will be privileged\, museums conceived and experienced not only as guardians of artistic treasures and witnesses of memories\, but active subjects capable of influencing the improvement of the well-being of the community. \n  \nDOWNLOAD THE COMPLETE CALL HERE. \n  \nFREE SUBSCRIPTION \nDEADLINE\n03.17.2023 \n  \nInfo and contacts: \nMORRA FOUNDATION\ncasamorra@fondazionemorra.org \nCAMPANIA REGIONAL COORDINATION OF ICOM ITALIA\ncampania@icom-italia.org
URL:https://www.fondazionemorra.org/en/evento/il-museo-che-verra-call-for-proposal/
LOCATION:Casa Morra\, Salita San Raffaele 20C\, Napoli\, 80136
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2023/02/museocheverra31marzo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20230106T100000
DTEND;TZID=Europe/Rome:20230106T140000
DTSTAMP:20260515T214054
CREATED:20230104T102124Z
LAST-MODIFIED:20230104T102124Z
UID:11327-1672999200-1673013600@www.fondazionemorra.org
SUMMARY:Nick Teplov – Laboratorio Avella
DESCRIPTION:Fondazione Morra and Laboratorio Avella\npresent \nNICK TEPLOV – LABORATORIO AVELLA \nFriday 6 January 2023\nfrom 10 am to 2 pm\nLaboratorio Avella of Casa Morra\nSalita San Raffaele 20/C\, Naples \nArtist Nick Teplov will give a lesson in soft wax techniques and photoengraving. \nNick Teplov is an artist\, director and graphic designer. He studied graphic arts in St. Petersburg and at Burg Giebichenstein University in Halle\, Germany.\nHe deals with etching\, photoengraving and analog photography. He currently lives and works in Leipzig. \nnickteplov.com\nig @bureau44
URL:https://www.fondazionemorra.org/en/evento/nick-teplov-laboratorio-avella/
LOCATION:Casa Morra\, Salita San Raffaele 20C\, Napoli\, 80136
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/png:https://www.fondazionemorra.org/wp-content/uploads/2023/01/Nick-Teplov-01-e1672828464307.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221224T100000
DTEND;TZID=Europe/Rome:20230101T190000
DTSTAMP:20260515T214054
CREATED:20221219T104652Z
LAST-MODIFIED:20230111T062117Z
UID:11197-1671876000-1672599600@www.fondazionemorra.org
SUMMARY:CASA MORRA AND THE HERMANN NITSCH MUSEUM WISH YOU HAPPY HOLIDAYS
DESCRIPTION:CASA MORRA – ARCHIVI D’ARTE CONTEMPORANEA \nSalita San Raffaele 20/C Napoli \nwe are open\nTue-Fri 10am-6pm\nSat 10am-2pm \nCasa Morra will remain closed\nDecember 24\, 25\, 26 and 31\, 2022 and January 1\, 2023 \ncasamorra@fondazionemorra.org | www.casamorra.org \n  \n\n		\n		\n			\n				\n			\n		\n\nMUSEO HERMANN NITSCH\nVico Lungo Pontecorvo 29/c\, Napoli \nwe are open\nTue-Fri 10am-7pm\nSat 10am-2pm \nThe Museum will remain closed\nDecember 24\, 25\, 26 and 31\, 2022 and January 1\, 2023 \ninfo@museonitsch.org | www.museonitsch.org
URL:https://www.fondazionemorra.org/en/evento/casa-morra-e-il-museo-hermann-nitsch-vi-augurano-buone-feste/
CATEGORIES:Casa Morra,Museo Nitsch
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221209T183000
DTEND;TZID=Europe/Rome:20221209T183000
DTSTAMP:20260515T214054
CREATED:20221206T130325Z
LAST-MODIFIED:20221206T130325Z
UID:11040-1670610600-1670610600@www.fondazionemorra.org
SUMMARY:
DESCRIPTION:On Friday December 9 at 6:30pm\, the artists Cansu Çakar and Serra Tansel will give a talk at Casa Morra. Archivi d’Arte Contemporanea. The meeting is moderated by Vittorio Urbani and the artists will be in conversation with Lea Nocera\, Professor of Turkish Language and Literature at The University L’Orientale (Naples). \nNeapolitan Dialogues II is the closing moment of the second edition of “Neapolitan Dialogues”\, an artist residency programme that takes place in Naples\, hosting artists from the cities of Istanbul and Lisbon. With the aim to let the artists absorb and internalize the social\, visual and cultural imaginary of the hosting city\, the residency is free of any obligation and it doesn’t require an immediate outcome to the artists. During its first edition in 2021\, “Neapolitan Dialogues” hosted the artists Çağrı Taskin and Huo Rf. \nBy presenting their artistic paths\, Cansu Çakar and Serra Tansel will establishes a fluid and active dialogue\, allowing the public to be part of their process of knowledge. \n“Neapolitan Dialogues” is supported by Elgiz Museum (Istanbul) and T-One Foundation (Istanbul). \n  \nCansu Çakar “The core of my practice is to research the fractures of the aesthetics reflected by the modern and western influences in eastern painting\, together with social and cultural environments\, and to associate the meanings of traditional motifs with the subjects in my paintings. I believe that what defines modernity are not ‘imported’ ideas and concepts but rather\, the aesthetic values lost in the darkness between different layers of society. Using traditional art techniques as a mediator\, and utilizing contemporary issues\, I underline the absurdity of the conflict between traditional and modern. Believing powerfully that a language never dies\, it just changes forms and survives\, I try to recreate an old visual language. \nAlthough still a controversial topic\, many academicians today believe that scientific knowledge of the one-point perspective did not exist in antiquity. I want to leave the question open for discussion due to my observations on Pompei’s frescos. The fact that the composition technique known as lack of perspective or two-dimensionality\, which we encounter in the miniature painting that I studied\, is a piece of false and superficial information is an issue that I often underline. In miniature painting\, a production technique based on the understanding of multiple perspectives is adopted. Plural perspective is the use of changing perspectives in the same composition while describing a space. Perspective\, on the other hand\, is the way of including the subject and the viewer in the painting\, and it can be said that it is a “symbolic form” that expresses a kind of new-age culture. I think that I will undoubtedly be able to open the layers of the structural materials\, history\, and social structure that make up Naples\, and I will be able to make visual form studies that will look for ways to visually describe these layers. As the storytellings that start from the underground come to the surface\, the class phenomena that color the streets on the ground floors and the empty terraces facing the sea will be allusive elements of depicting Naples with multiple ways of seeing.” \nSerra Tansel “Our engagement with Napoli have shifted between being an outsider\, a stranger\, a tourist\, a collaborator and a local in each different activity we engaged in. The multiplicity of this positions allowed the feelings of awe and familiarity to co-exist. We have a saying in Turkish “Did you come from a village without a door?” if you don’t shut the door behind you as you leave someone’s office. This understanding of privacy is associated with modernisation and civilisation which leads us to estrangement and sharp borders. Napoli has many open doors. It doesn’t mean it lacks privacy or secrets but one can hide something by making it too visible or vocal also and this city seems to have more elaborate ways than shutting its doors. This intimacy shared in the public space\, the personal ownership of the streets\, the make-shift structures that utilises obstructions is what I want to take with me from Napoli and add to my vocabulary of resistance and progress.” \n  \nThe event will be held in English with simultaneous translation into Italian. \n  \nCansu Çakar (b.1988\, İstanbul) lives in İzmir. She investigates traditional art forms such as decorative drawing and illumination and integrates these traditions with contemporary art practices and topics. Thus she articulates her wish to free traditional forms of expression from their stereotypical classification. Her drawings and paintings\, together with the concepts she explores in her workshops\, critically question the typical male-dominated subjects of traditional miniature painting. Additionally\, they call into question the traditional classification of this art form and its conservatism. Çakar draws a line between what it means to be a woman or a prisoner in an oppressive society and the aesthetics of traditional arts in our contemporary art world. Both share the struggle against conservatism and the ensuing fight for emancipation. \n  \nAmong her projects and exhibitions are NATURE AND STATE\, Staatliche Kunsthalle Baden-Baden (Baden-Baden\, 2022)\, Fore-Edge Painting\, MACRO Museo d’Arte Contemporanea di Roma and Bibliotheca Hertziana\, (Rome\, 2021) The 6th Ural Industrial Biennial of Contemporary Art\, The Optical and Mechanical Plant\, (Yekaterinburg\, 2021) BB11- 11th Berlin Biennale for Contemporary Art\, The Crack Begins Within\, KW\, (Berlin\, 2020) Miniature 2.0\, Pera Museum\, (İstanbul\, 2020) The Crime of Mr. Adolf Loos\, Axel Vervoordt Gallery\, (Antwerp\, 2019) Cappadox Contemporary Art Program\, (Cappadocia\, 2018) Linear Transcendency” at the Lab- Darat al Funun\, (Amman\, 2016) SALTWATER: A Theory of Thought Forms. 14th Istanbul Biennial- 100°- FLO\, (İstanbul\, 2015). \n  \nSerra Tansel (b.1989\, İstanbul) currently lives in London. \nSerra Tansel’s practice engages with the ways in which we settle into our world and draw the boundaries of our cities\, houses\, bodies and the structures\, the relationships we establish within them. She works context specific and utilises a wide range of media to infiltrate mainstream cultures in order to create twists. She is a member of the music collective Makkam and one of the faces of Hayırlı Evlat. \nRecent exhibitions include SH/FT\, No Show Space\, London (2021); A Question of Taste\, Pera Museum\, Istanbul (2021); “Passion can create drama out of inert stone”?!\, Peak\, Elephant & Castle Shopping Mall\, London (2020); Higher\, Pilot Gallery\, Istanbul (2020). \n  \n  \n 
URL:https://www.fondazionemorra.org/en/evento/11040/
LOCATION:Casa Morra\, Salita San Raffaele 20C\, Napoli\, 80136
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/png:https://www.fondazionemorra.org/wp-content/uploads/2022/12/01_sito_ND_2022-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221125T183000
DTEND;TZID=Europe/Rome:20221126T140000
DTSTAMP:20260515T214054
CREATED:20221123T084131Z
LAST-MODIFIED:20221123T084131Z
UID:10877-1669401000-1669471200@www.fondazionemorra.org
SUMMARY:Mary Zygouri - Who Is The Third Who (Always) Walks Beside You?
DESCRIPTION:On the occasion of the 2nd edition of Art Days – Napoli Campania\, Underneath the Arches presents a new performance by the Greek artist Mary Zygouri\, specifically conceived for the archaeological site. The event is curated by Chiara Pirozzi and Alessandra Troncone\, in collaboration with Associazione VerginiSanità. \nBy intertwining research\, visions and approaches that have guided the artist towards a close relationship between the human body and the architectural/natural body\, Mary Zygouri has created a performance closely connected to the physicality of the place\, able to make the remains and pre-existence of the Roman era vital. Mary Zygouri’s action draws inspiration from the poem Wasted Land written by the poet and playwright Thomas Stearns Eliot in 1922. Through the interpretation of timeless and non-human characters who inhabit the archaeological space\, the artist transposes the polysemantic\, enigmatic and symbolic themes of Eliot’s text in a new dimension that intertwines myth\, history and superstition. Conceived as a narration that proceeds through figures in transformation that communicate with the public in three languages ​​(Italian\, English and Greek)\, the performance suggests\, as described by the title\, the constant presence of an “other” entity perceived at our side even if physically absent. \n  \nUnderneath the Arches aims to activate a dialogue between archaeology and contemporary art\, and to establish a relationship between local material and immaterial culture and the artistic research of international artists. Its main objective is to promote both existing cultural heritage and new production in contemporary art. In the fascinating space of the ancient Roman aqueduct\, discovered in 2011 and located underneath a historical building called Palazzo Peschici Maresca\, international artists are invited to create temporary and site-specific installations in dialogue with the space itself and the surrounding area. Previous exhibitions include works by Arturo Hernández Alcázar (Mexico City\, 1978)\, Hera Büyüktaşçıyan (Istanbul\, 1984)\, Adrian Melis (Havana\, 1985) and Jumana Manna (Princeton\, 1987). \nThe project is kindly supported by Fondazione Morra\, and carried out under the Matronage of Madre Museum / Fondazione Donnaregina per le arti contemporanee of Naples\, and under the patronage of the Academy of Fine Arts in Naples. Thanks to Paola Ricciardi for the choreographic coordination. \n  \nMary Zygouri (Athens\, 1973) holds a BA from Athens School of Fine Arts and a Master FA at Chelsea College of Art and Design\, London. She lives and works between Athens and Italy. In 2017\, she was invited by Documenta 14 to the main exhibition in Athens and Kassel at Palais Bellevue. Her solo shows include The Repetition of the Impossible\, Prometeogallery di Ida Pisani\, Milan (2018) and ZOOpoetics-ZOOpolitics\, Studio Stefania Miscetti\, Rome (2011). She has performed and exhibited in numerous group shows at international museum and institutions\, including Galleria Nazionale d’Arte Moderna e Contemporanea\, Rome; Mu.ZEE\, Ostenda; EMST\, Athens; MOMUS\, Salonicco; Cittadellarte–Fondazione Pistoletto\, Biella; Dutch Art Institute\, Arnhem; IILA – Istituto Italo-Latino Americano\, Rome; IKSV – Istanbul Foundation for Culture\, Istanbul. In 2012\, she was awarded by the ΑICA Hellas. In 2014\, she collaborated with Michelangelo Pistoletto at the performance Venus of the Rags /INTRANSIT/ELEUSIS at the Aischyleian Festival\, Eleusis. She created ENYPNIO (2019) at the archaeological site of Paestum\, with the support of Fondazione Gatto (Salerno) and LYSIS (2022) at the archaeological site of Amfiareio Oropos in Greece\, with the support of NEON Foundation. Her practice has been featured and reviewed in several art magazines and academic journals.
URL:https://www.fondazionemorra.org/en/evento/mary-zygouri-who-is-the-third-who-always-walks-beside-you/
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2022/11/Mary-Zygouri-invito-UA.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221115T080000
DTEND;TZID=Europe/Rome:20230108T233000
DTSTAMP:20260515T214054
CREATED:20221115T114938Z
LAST-MODIFIED:20221116T095223Z
UID:10781-1668499200-1673220600@www.fondazionemorra.org
SUMMARY:The Archives
DESCRIPTION:The team of Fondazione Morra continues its effort to enhance and promote the cultural heritage preserved at Casa Morra. Archivi d’Arte Contemporanea. \nIt is possible to visit and do research in the following archives\, by reservation: \nArrigo Lora Totino Archive covering a period of time between 1964 and 2016\, the documents concern the Arrigo Lora Totino artistic path\, and focus on his visual poetry production. Following the approach adopted by Arrigo Lora Totino in his private archive\, the materials are subdivided in seven thematic sections:  Correspondence\, Professional Documentation\, Printed Documentation\, Graphics\, Photo Documentation\, Audio and Video\, Private Library. Currently\, the archive is undergoing digitalization of the documents. \n\nArrigo Lora Totino\, Amore tutto tatto dalla serie “Fotodinamiche Simultanee”\, 1975. © Amedeo Benestante / Courtesy Morra Foundation \n\nLiving Theater Historical Archive consisting of 8.800 documents\, the materials are subdivided in five different categories: Living Theater Photographic Fund; Living Theater Bibliographic Fund; Living Theater Fund; Garrick Beck Fund; Morra Foundation Fund. Regarding the Living Theater Historical Archives\, the digitalization process was completed in July 2022. \nThe Living Theater\, Six Public Acts\, 1973 © Libero De Cunzo / Courtesy of Morra Foundation \n  \nHenri Chopin Archive the materials\, undergoing a first stage of inventory\, mostly concern the Neo-Avantgarde experimentations. The Archive is so organized: Various Documentation (which includes correspondence\, original typewritten texts and manuscripts\, postcards and invitations\, photographies); Reviews; Books; Manifestos; Records. \nHenri Chopin\, Carpet’s project\, 1985. / Courtesy Fondazione Morra \n  \nFor more information and reservation\, please\, write to info@fondazionemorra.org.
URL:https://www.fondazionemorra.org/en/evento/the-archives/
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2022/11/Mysteries-Smaller-Pieces-San-Napoli-1995-©-Massiliano-Pappa-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T155418
DTEND;TZID=Europe/Rome:20221104T155418
DTSTAMP:20260515T214054
CREATED:20200729T134242Z
LAST-MODIFIED:20200729T134242Z
UID:4330-1667577258-1667577258@www.fondazionemorra.org
SUMMARY:Hermann Nitsch – Sinfonia Napoli 2020
DESCRIPTION:settembre 2020 – settembre 2022\nOPENING 25 SETTEMBRE ORE 10:00\nMuseo Hermann Nitsch\nVico Lungo Pontecorvo 29/d\, Napoli \nIl Museo Nitsch di Napoli si rinnova per il biennio 2020-2022 con il progetto “Sinfonia Napoli 2020”. Inaugurazione il 25 settembre con un nuovo corpus di opere tra i “Relitti d’azione” e un’inedita collezione di pitture e disegni realizzati per l’occasione.\nUna costellazione di “sismografie vitali” che rappresenta esemplarmente il lavoro di Nitsch come uno sforzo ostinato verso la liberazione della sensibilità dalla disciplina di una civiltà anestetizzante\, una pratica di affermazione della vita attraverso il continuo rimando di corrispondenze olfattive\, tattili e visive del colore. Dai “relitti” che\, a dispetto del loro nome\, testimoniano una promessa di ritorno\, una “resurrezione dalla dissoluzione” sino alla pittura ed al disegno che celebrano per Nitsch la luce come condizione di esperibilità del mondo.\nLa riapertura del museo\, celebrata anche dalla composizione musicale “Sinfonia Napoli 2020”\, eseguita a porte chiuse dalla Nuova Orchestra Scarlatti diretta da Andrea Cusumano e presto fruibile on line\, conferma il sodalizio tra Hermann Nitsch e Giuseppe Morra\, iniziato nel 1974\, nel segno della forza creativa dell’arte e della continuità di un progetto che culmina gioiosamente nei festeggiamenti per i dodici anni del Museo napoletano. \nPer gli appuntamenti in programma la Fondazione Morra rinnova anche la collaborazione con Wine&Thecity: la rassegna\, che coniuga la promozione della cultura del vino e l’arte\, sarà presente il giorno dell’inaugurazione a partire dalle 17.00 con i vini della storica Azienda dell’Agro Pontino Casale del Giglio. \n 
URL:https://www.fondazionemorra.org/en/evento/hermann-nitsch-sinfonia-napoli-2020/
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2020/07/hermann-nitsch_resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T155418
DTEND;TZID=Europe/Rome:20221104T155418
DTSTAMP:20260515T214054
CREATED:20200729T134242Z
LAST-MODIFIED:20200729T134242Z
UID:4331-1667577258-1667577258@www.fondazionemorra.org
SUMMARY:Hermann Nitsch – Sinfonia Napoli 2020
DESCRIPTION:settembre 2020 – settembre 2022\nOPENING 25 SETTEMBRE ORE 10:00\nMuseo Hermann Nitsch\nVico Lungo Pontecorvo 29/d\, Napoli \nIl Museo Nitsch di Napoli si rinnova per il biennio 2020-2022 con il progetto “Sinfonia Napoli 2020”. Inaugurazione il 25 settembre con un nuovo corpus di opere tra i “Relitti d’azione” e un’inedita collezione di pitture e disegni realizzati per l’occasione.\nUna costellazione di “sismografie vitali” che rappresenta esemplarmente il lavoro di Nitsch come uno sforzo ostinato verso la liberazione della sensibilità dalla disciplina di una civiltà anestetizzante\, una pratica di affermazione della vita attraverso il continuo rimando di corrispondenze olfattive\, tattili e visive del colore. Dai “relitti” che\, a dispetto del loro nome\, testimoniano una promessa di ritorno\, una “resurrezione dalla dissoluzione” sino alla pittura ed al disegno che celebrano per Nitsch la luce come condizione di esperibilità del mondo.\nLa riapertura del museo\, celebrata anche dalla composizione musicale “Sinfonia Napoli 2020”\, eseguita a porte chiuse dalla Nuova Orchestra Scarlatti diretta da Andrea Cusumano e presto fruibile on line\, conferma il sodalizio tra Hermann Nitsch e Giuseppe Morra\, iniziato nel 1974\, nel segno della forza creativa dell’arte e della continuità di un progetto che culmina gioiosamente nei festeggiamenti per i dodici anni del Museo napoletano. \nPer gli appuntamenti in programma la Fondazione Morra rinnova anche la collaborazione con Wine&Thecity: la rassegna\, che coniuga la promozione della cultura del vino e l’arte\, sarà presente il giorno dell’inaugurazione a partire dalle 17.00 con i vini della storica Azienda dell’Agro Pontino Casale del Giglio. \n 
URL:https://www.fondazionemorra.org/en/evento/hermann-nitsch-sinfonia-napoli-2020/
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2020/07/hermann-nitsch_resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T155418
DTEND;TZID=Europe/Rome:20221104T155418
DTSTAMP:20260515T214054
CREATED:20200729T134242Z
LAST-MODIFIED:20200729T134242Z
UID:4369-1667577258-1667577258@www.fondazionemorra.org
SUMMARY:Hermann Nitsch – Sinfonia Napoli 2020
DESCRIPTION:settembre 2020 – settembre 2022\nOPENING 25 SETTEMBRE ORE 10:00\nMuseo Hermann Nitsch\nVico Lungo Pontecorvo 29/d\, Napoli \nIl Museo Nitsch di Napoli si rinnova per il biennio 2020-2022 con il progetto “Sinfonia Napoli 2020”. Inaugurazione il 25 settembre con un nuovo corpus di opere tra i “Relitti d’azione” e un’inedita collezione di pitture e disegni realizzati per l’occasione.\nUna costellazione di “sismografie vitali” che rappresenta esemplarmente il lavoro di Nitsch come uno sforzo ostinato verso la liberazione della sensibilità dalla disciplina di una civiltà anestetizzante\, una pratica di affermazione della vita attraverso il continuo rimando di corrispondenze olfattive\, tattili e visive del colore. Dai “relitti” che\, a dispetto del loro nome\, testimoniano una promessa di ritorno\, una “resurrezione dalla dissoluzione” sino alla pittura ed al disegno che celebrano per Nitsch la luce come condizione di esperibilità del mondo.\nLa riapertura del museo\, celebrata anche dalla composizione musicale “Sinfonia Napoli 2020”\, eseguita a porte chiuse dalla Nuova Orchestra Scarlatti diretta da Andrea Cusumano e presto fruibile on line\, conferma il sodalizio tra Hermann Nitsch e Giuseppe Morra\, iniziato nel 1974\, nel segno della forza creativa dell’arte e della continuità di un progetto che culmina gioiosamente nei festeggiamenti per i dodici anni del Museo napoletano. \nPer gli appuntamenti in programma la Fondazione Morra rinnova anche la collaborazione con Wine&Thecity: la rassegna\, che coniuga la promozione della cultura del vino e l’arte\, sarà presente il giorno dell’inaugurazione a partire dalle 17.00 con i vini della storica Azienda dell’Agro Pontino Casale del Giglio. \n 
URL:https://www.fondazionemorra.org/en/evento/hermann-nitsch-sinfonia-napoli-2020/
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2020/07/hermann-nitsch_resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T155418
DTEND;TZID=Europe/Rome:20221104T155418
DTSTAMP:20260515T214054
CREATED:20200729T134242Z
LAST-MODIFIED:20200729T134242Z
UID:4370-1667577258-1667577258@www.fondazionemorra.org
SUMMARY:Hermann Nitsch – Sinfonia Napoli 2020
DESCRIPTION:settembre 2020 – settembre 2022\nOPENING 25 SETTEMBRE ORE 10:00\nMuseo Hermann Nitsch\nVico Lungo Pontecorvo 29/d\, Napoli \nIl Museo Nitsch di Napoli si rinnova per il biennio 2020-2022 con il progetto “Sinfonia Napoli 2020”. Inaugurazione il 25 settembre con un nuovo corpus di opere tra i “Relitti d’azione” e un’inedita collezione di pitture e disegni realizzati per l’occasione.\nUna costellazione di “sismografie vitali” che rappresenta esemplarmente il lavoro di Nitsch come uno sforzo ostinato verso la liberazione della sensibilità dalla disciplina di una civiltà anestetizzante\, una pratica di affermazione della vita attraverso il continuo rimando di corrispondenze olfattive\, tattili e visive del colore. Dai “relitti” che\, a dispetto del loro nome\, testimoniano una promessa di ritorno\, una “resurrezione dalla dissoluzione” sino alla pittura ed al disegno che celebrano per Nitsch la luce come condizione di esperibilità del mondo.\nLa riapertura del museo\, celebrata anche dalla composizione musicale “Sinfonia Napoli 2020”\, eseguita a porte chiuse dalla Nuova Orchestra Scarlatti diretta da Andrea Cusumano e presto fruibile on line\, conferma il sodalizio tra Hermann Nitsch e Giuseppe Morra\, iniziato nel 1974\, nel segno della forza creativa dell’arte e della continuità di un progetto che culmina gioiosamente nei festeggiamenti per i dodici anni del Museo napoletano. \nPer gli appuntamenti in programma la Fondazione Morra rinnova anche la collaborazione con Wine&Thecity: la rassegna\, che coniuga la promozione della cultura del vino e l’arte\, sarà presente il giorno dell’inaugurazione a partire dalle 17.00 con i vini della storica Azienda dell’Agro Pontino Casale del Giglio. \n 
URL:https://www.fondazionemorra.org/en/evento/hermann-nitsch-sinfonia-napoli-2020/
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2020/07/hermann-nitsch_resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T155418
DTEND;TZID=Europe/Rome:20221104T155418
DTSTAMP:20260515T214054
CREATED:20200729T134242Z
LAST-MODIFIED:20200729T134242Z
UID:4711-1667577258-1667577258@www.fondazionemorra.org
SUMMARY:Hermann Nitsch – Sinfonia Napoli 2020
DESCRIPTION:settembre 2020 – settembre 2022\nOPENING – 25 SETTEMBRE ORE 10:00\nMuseo Hermann Nitsch\nVico Lungo Pontecorvo 29/d\, Napoli \nIl Museo Nitsch di Napoli si rinnova per il biennio 2020-2022 con il progetto “Sinfonia Napoli 2020”. Inaugurazione il 25 settembre con un nuovo corpus di opere tra i “Relitti d’azione” e un’inedita collezione di pitture e disegni realizzati per l’occasione.\nUna costellazione di “sismografie vitali” che rappresenta esemplarmente il lavoro di Nitsch come uno sforzo ostinato verso la liberazione della sensibilità dalla disciplina di una civiltà anestetizzante\, una pratica di affermazione della vita attraverso il continuo rimando di corrispondenze olfattive\, tattili e visive del colore. Dai “relitti” che\, a dispetto del loro nome\, testimoniano una promessa di ritorno\, una “resurrezione dalla dissoluzione” sino alla pittura ed al disegno che celebrano per Nitsch la luce come condizione di esperibilità del mondo.\nLa riapertura del museo\, celebrata anche dalla composizione musicale “Sinfonia Napoli 2020”\, eseguita a porte chiuse dalla Nuova Orchestra Scarlatti diretta da Andrea Cusumano e presto fruibile on line\, conferma il sodalizio tra Hermann Nitsch e Giuseppe Morra\, iniziato nel 1974\, nel segno della forza creativa dell’arte e della continuità di un progetto che culmina gioiosamente nei festeggiamenti per i dodici anni del Museo napoletano. \nPer gli appuntamenti in programma la Fondazione Morra rinnova anche la collaborazione con Wine&Thecity: la rassegna\, che coniuga la promozione della cultura del vino e l’arte\, sarà presente il giorno dell’inaugurazione a partire dalle 17.00 con i vini della storica Azienda dell’Agro Pontino Casale del Giglio. \n 
URL:https://www.fondazionemorra.org/en/evento/hermann-nitsch-sinfonia-napoli-2020/
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2020/07/hermann-nitsch_resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T155418
DTEND;TZID=Europe/Rome:20221104T155418
DTSTAMP:20260515T214054
CREATED:20200729T134242Z
LAST-MODIFIED:20200729T134242Z
UID:4714-1667577258-1667577258@www.fondazionemorra.org
SUMMARY:Hermann Nitsch – Sinfonia Napoli 2020
DESCRIPTION:settembre 2020 – settembre 2022\nOPENING 25 SETTEMBRE ORE 10:00\nMuseo Hermann Nitsch\nVico Lungo Pontecorvo 29/d\, Napoli \nIl Museo Nitsch di Napoli si rinnova per il biennio 2020-2022 con il progetto “Sinfonia Napoli 2020”. Inaugurazione il 25 settembre con un nuovo corpus di opere tra i “Relitti d’azione” e un’inedita collezione di pitture e disegni realizzati per l’occasione.\nUna costellazione di “sismografie vitali” che rappresenta esemplarmente il lavoro di Nitsch come uno sforzo ostinato verso la liberazione della sensibilità dalla disciplina di una civiltà anestetizzante\, una pratica di affermazione della vita attraverso il continuo rimando di corrispondenze olfattive\, tattili e visive del colore. Dai “relitti” che\, a dispetto del loro nome\, testimoniano una promessa di ritorno\, una “resurrezione dalla dissoluzione” sino alla pittura ed al disegno che celebrano per Nitsch la luce come condizione di esperibilità del mondo.\nLa riapertura del museo\, celebrata anche dalla composizione musicale “Sinfonia Napoli 2020”\, eseguita a porte chiuse dalla Nuova Orchestra Scarlatti diretta da Andrea Cusumano e presto fruibile on line\, conferma il sodalizio tra Hermann Nitsch e Giuseppe Morra\, iniziato nel 1974\, nel segno della forza creativa dell’arte e della continuità di un progetto che culmina gioiosamente nei festeggiamenti per i dodici anni del Museo napoletano. \nPer gli appuntamenti in programma la Fondazione Morra rinnova anche la collaborazione con Wine&Thecity: la rassegna\, che coniuga la promozione della cultura del vino e l’arte\, sarà presente il giorno dell’inaugurazione a partire dalle 17.00 con i vini della storica Azienda dell’Agro Pontino Casale del Giglio. \n 
URL:https://www.fondazionemorra.org/en/evento/hermann-nitsch-sinfonia-napoli-2020/
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2020/07/hermann-nitsch_resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221104T155418
DTEND;TZID=Europe/Rome:20221104T155418
DTSTAMP:20260515T214054
CREATED:20200729T134242Z
LAST-MODIFIED:20200729T134242Z
UID:4719-1667577258-1667577258@www.fondazionemorra.org
SUMMARY:Hermann Nitsch – Sinfonia Napoli 2020
DESCRIPTION:settembre 2020 – settembre 2022\nOPENING 25 SETTEMBRE ORE 10:00\nMuseo Hermann Nitsch\nVico Lungo Pontecorvo 29/d\, Napoli \nIl Museo Nitsch di Napoli si rinnova per il biennio 2020-2022 con il progetto “Sinfonia Napoli 2020”. Inaugurazione il 25 settembre con un nuovo corpus di opere tra i “Relitti d’azione” e un’inedita collezione di pitture e disegni realizzati per l’occasione.\nUna costellazione di “sismografie vitali” che rappresenta esemplarmente il lavoro di Nitsch come uno sforzo ostinato verso la liberazione della sensibilità dalla disciplina di una civiltà anestetizzante\, una pratica di affermazione della vita attraverso il continuo rimando di corrispondenze olfattive\, tattili e visive del colore. Dai “relitti” che\, a dispetto del loro nome\, testimoniano una promessa di ritorno\, una “resurrezione dalla dissoluzione” sino alla pittura ed al disegno che celebrano per Nitsch la luce come condizione di esperibilità del mondo.\nLa riapertura del museo\, celebrata anche dalla composizione musicale “Sinfonia Napoli 2020”\, eseguita a porte chiuse dalla Nuova Orchestra Scarlatti diretta da Andrea Cusumano e presto fruibile on line\, conferma il sodalizio tra Hermann Nitsch e Giuseppe Morra\, iniziato nel 1974\, nel segno della forza creativa dell’arte e della continuità di un progetto che culmina gioiosamente nei festeggiamenti per i dodici anni del Museo napoletano. \nPer gli appuntamenti in programma la Fondazione Morra rinnova anche la collaborazione con Wine&Thecity: la rassegna\, che coniuga la promozione della cultura del vino e l’arte\, sarà presente il giorno dell’inaugurazione a partire dalle 17.00 con i vini della storica Azienda dell’Agro Pontino Casale del Giglio. \n 
URL:https://www.fondazionemorra.org/en/evento/hermann-nitsch-sinfonia-napoli-2020/
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2020/07/hermann-nitsch_resize.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221022T180000
DTEND;TZID=Europe/Rome:20221022T180000
DTSTAMP:20260515T214054
CREATED:20221003T105539Z
LAST-MODIFIED:20221017T101114Z
UID:10243-1666461600-1666461600@www.fondazionemorra.org
SUMMARY:HERMANN NITSCH - BAYREUTH WALKÜRE E RELITTI 158.aktion
DESCRIPTION:In conjunction with the Nitsch Museum in Mistelbach and the Nitsch Foundation\, with the support of the Goethe-Institut Neapel\, The Museo Archivio Laboratorio per le Arti Contemporanee Hermann Nitsch Napoli\, true to its vocation\, is updating its exhibition space for the two-year period 2022-2024 to present Hermann Nitsch – BAYREUTH WALKÜRE E RELITTI 158.aktion. The exhibition opens on Saturday 22 October at 6 pm.\, offering the public a hitherto unseen dialogue between a wide selection of works from the malaktion walküre and the relics of the last action\, directed by Hermann Nitsch in Naples. \nThe first set of works on show in the Museum’s ground-floor rooms come from Nitsch’s pictorial action in the form of a scenic event at the concert performance of Richard Wagner’s The Valkyrie at the Bayreuth Festival in the summer of 2021. \n“I wish to put on a painting action where the colours of the poured and smeared paint\, spanning the whole spectrum of the rainbow\, attempt to compete in a positive sense with the blazing colouration of Wagnerian music. The events of the actual act of painting are to be like music. Sounds turn into colours. The painter is stirred and aroused\, vents himself in the painting process. He is the first actor. He feels the very substance of the paint\, the fluidness\, the slithery slim\, the pulp of the thick paint\,” Hermann Nitsch wrote on that occasion (Wien\, 1938 – Mistelbach\, 2022). “I have enthusiastically loved Wagner’s work. The gesamtkunstwerk was his priority. It is experienced through all the senses. He was always my teacher\, and still is today.” \n“The total work of art in Nitsch’s interpretation – Lorenzo Mango writes in a composite essay accompanying the exhibition- is redolent of Wagner’s memory but goes beyond it. In the Orgies Mysteries Theatre\, it is determined by experience\, contact with the vital in its most absolute and primal form\, the senses\, and the sensuality of theatre”. Thus\, Nitsch does not merely set the stage for The Valkyrie; rather\, he sets in motion\, as the action unfolds\, a process of intensification and expansion of the sensory experience that lies at the heart of the Orgies Mysteries Theater. The Bayreuth experience will be reproduced through video projections\, documentary\, and photographic material\, together with a selection of Nitsch’s drawings. \n“I wish to put on a painting action where the colours of the poured and smeared paint\, spanning the whole spectrum of the rainbow\, attempt to compete in a positive sense with the blazing colouration of wagnerian music. The events of the actual act of painting are to be like music. Sounds turn into colours.” \nIn dialogue with the large paintings\, the relics and documents from the 158.aktion (2020) – the last one to be led by Nitsch – will be on show to the public for the first time. In this action\, the Austrian master acknowledged the primary importance in terms of dynamism and intensity of the “Sinfonia Napoli” – an integral part of the event\, performed by the Orchestra Scarlatti under the baton of Andrea Cusumano – through which\, in September 2020\, he wished to celebrate both Giuseppe Morra and the city of Naples on the occasion of the twelfth anniversary of his Neapolitan Museum-Workshop.
URL:https://www.fondazionemorra.org/en/evento/hermann-nitsch-bayreuth-walkure-e-relitti-158-aktion/
LOCATION:Museo Hermann Nitsch\, Vico Lungo Pontecorvo 29/d\, Napoli\, 80135\, Italia
CATEGORIES:Museo Nitsch
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2022/09/Fondazione-Morra-BAYREUTH-WALKÜRE-E-RELITTI.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20221008T100000
DTEND;TZID=Europe/Rome:20221008T180000
DTSTAMP:20260515T214054
CREATED:20220926T080634Z
LAST-MODIFIED:20220926T080634Z
UID:10144-1665223200-1665252000@www.fondazionemorra.org
SUMMARY:The eighteenth Giornata del Contemporaneo - Mille Nanni
DESCRIPTION:Saturday 8 October 2022 will mark the eighteenth Giornata del Contemporaneo (Contemporary Art Day)\, an event promoted by AMACI – Associazione dei Musei d’Arte Contemporanea Italiani (the Association of Italian Contemporary Art Museums)\, which\, over the last eighteen years\, has been inviting museums\, foundations\, public and private institutions\, galleries\, studios\, and artists’ spaces to show just how vibrant contemporary art in Italy is. \nThis year too\, Fondazione Morra will be granting free entry to the permanent collection at Casa Morra. Archivi d’Arte Contemporanea\, which is also hosting “Mille Nanni”\, a temporary exhibition curated by Giuseppe Morra\, dedicated to artist and friend of the Fondazione\, Nanni Balestrini (1935- 2019). \n  \n“Mille Nanni” opened on 1 July 2022 to inaugurate a series of meetings dedicated to Balestrini. It presents his artistic journey\, exploring the complexity of his thought through archive material\, collages\, and sculptures from the nineties\, in addition to his prose\, and poems. \nNanni Balestrini’s work shows a powerful creative and political commitment\, manifest through tireless experimental research spanning different expressive languages. A keen observer and protagonist of today’s world\, Balestrini invites us to look at reality not as a monolith but to take it in through a thousand glances\, a thousand visions\, multiplying and distorting it\, challenging it. The artist’s universe is composed of constellations of poetic words\, denuded and sometimes violent\, searching for authenticity in a world of neo-capitalist inauthenticity. \nComplementing the permanent exhibition dedicated to him\, “Mille Nanni” is a diffuse exhibition throughout the building\, showcasing the multidisciplinary character of the artist’s work\, with a focus on his poetic sensibility. \n  \nfaster and faster/ breathing in through the nose/ always the same beat/ being reduced/ still here saying doing/ to reach/ now not breathing/ safe and sound and no longer knowing/ who we are nor (Nanni Balestrini\, Caosmogonia\, 2010).
URL:https://www.fondazionemorra.org/en/evento/the-eighteenth-giornata-del-contemporaneo-mille-nanni/
LOCATION:Casa Morra – Archivio d’Arte Contemporanea\,  Salita S. Raffaele\, 20C\, Napoli\, 80136\, Italia
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2022/09/IMG_3630.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220930T170000
DTEND;TZID=Europe/Rome:20220930T200000
DTSTAMP:20260515T214054
CREATED:20220912T112909Z
LAST-MODIFIED:20220916T095013Z
UID:9891-1664557200-1664568000@www.fondazionemorra.org
SUMMARY:Reverie – Dream 5 : Icarus
DESCRIPTION:From 5 pm on Friday 30 September 2022\, Casa Morra. Archivi d’Arte Contemporanea in Naples will be hosting Reverie in the performative action “Sogno 5: Icaro” (Dream 5: Icarus).\nThe project\, with a text by Piero Tomassoni\, has been curated by Isabella Morra. \nConcluding her cycle devoted to dreams\, conducted over the years as a privileged alphabet of research\, this Tuscan artist proposes a contemporary reinterpretation of the Icarus of Greek mythology\, dedicating to the city of Naples her latest dream-themed performance. Initially suspended from a crane in the forecourt in front of the former chapel at Casa Morra\, Reverie will re-enact for the audience Icarus’s fateful flight.\nThe mythological Icarus assumes the burden of disobedience to the world’s constraints\, rules\, and laws. It is a challenge to what is reassuring – the desire to surpass human limits\, to look upwards and go beyond. But it is also the recklessness and impudence of a youthful idealist whose naïveté is transformed in Reverie’s work into a dreamlike experience that acquires a totally new and topical meaning.\nHer Icarus is “contemporary”: a genderless figure with prosthetic arms whom the artist has also represented in some of her opere-indivenire. She will appear as a majestic red wax sculpture with a cast around her torso. To this are attached two wings and a World War II parachute\, to which the incipit of the biography of this new Icarus\, that is\, the story that gave life to the work as a whole and to the performance itself\, has been stitched onto a satin insert in the artist’s own handwriting.\nThe story of the project\, as in all Reverie’s work\, thus originates from the desire to construct collective dimensions and memories that become a sharing zone between artist and audience. In the open space of Casa Morra\, the relationship between Reverie and the audience will be consolidated in a communion of emotional tension through an empathic relationship in which energies merge with the artist’s body. \nThe myth of flight\, of touching the intangible\, the sky\, would not exist without its opposite: the fall. They are antimeres of the same root: the push toward the beyond\, a journey that humanity has shared since its beginnings (Isabella Morra). The contemporary Icarus\, however\, takes his place in history in a new way\, celebrating life with its difficulties\, loneliness\, burdens and sufferings; he is every human. For centuries\, “Icarus” has been the therapeutic and sapiential song passed on from master to disciple\, from plant to healer in the Amazon. He has now become the mantra of Reverie (Piero Tomassoni). \nCasa Morra. Archivi d’Arte Contemporanea will be open to the public from 4 pm. \nReverie (Vinci\, 1994) lives in Milan\, dedicating every moment\, action\, and every rose of her life to Art. Her real name\, which she has chosen for life and art\, is a dedication to Bachelard’s Poetics of Reverie (nomen est omen). She works on contaminations\, the interference of conceptual and emotional gazes and reactions\, starting from interiority and profound solitude. She realizes performances representative of collective society\, contemporaneity and feeling\, between the real and the virtual. From the spark of intuition she creates texts to which she gives material form\, personally constructing all the elements necessary for the action. Crossing anthropology\, literature\, philosophy\, psychoanalysis and the sciences\, she has turned the study of dreams\, even “daydreaming”\, into an original line of research to develop an artistic language through which to investigate reality\, crossing archetypes as memories and “collective dreams”). She has produced several works on this theme and published a book\, librosogni with Skira (2021). Recent exhibitions and performances include: Il corpo dei sogni (solo show\, 2022\, Basilica di San Celso\, Milan); Sogno 5: Icaro (2022\, Casa Morra – Fondazione Morra\, Napoli); Sogno 4: alba lunare (2021\, Festa della Ceramica\, Montelupo); Sogno 3: la camera degli specchi (2021\, FOG\, Triennale\, Milan); Sogno 2: The Sleeping Muse (2020\, Palazzina Liberty Dario Fo e Franca Rame\, Milan\, in collaboration with Fondazione Mudima and curated by Raffaella Perna); Sogno 1: l’archetipo del sé (2019\, Fondazione VOLUME! Rome). \n  \nDialogue between R and I – Interview by Isbella Morra \nAn Icarus for Reverie – Piero Tomassoni
URL:https://www.fondazionemorra.org/en/evento/reverie-dream-5-icarus/
LOCATION:Casa Morra\, Salita San Raffaele 20C\, Napoli\, 80136
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2022/09/reverie-invito-digitale-fb_Tavola-disegno-1-003.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220730T043000
DTEND;TZID=Europe/Rome:20220731T030000
DTSTAMP:20260515T214054
CREATED:20220713T133030Z
LAST-MODIFIED:20220713T133711Z
UID:9033-1659155400-1659236400@www.fondazionemorra.org
SUMMARY:Hermann Nitsch\, 160.aktion - das 6-tage-spiel
DESCRIPTION:30 – 31 July 2022\nAtelier Hermann Nitsch\nPrinzendorf an der Zaya\, Austria \nDas 6-tage-spiel 2022 – 2. Fassung (the 6-day play – 2nd version) \nthe 6-day play of the o. m. theatre is a work in progress. everything i’ve ever done\, my action painting\, all my performance actions\, my music\, they were all precursors for a never-to-be completed work. in 1998 i succeeded in staging a possible version of the 6-day play in the orgies mysteries theatre at prinzendorf. in 2022 i wish to stage another version of the 6-day play. the music\, extended into organ sounds and escalating into music of the spheres\, is becoming all the more essential. \nHermann Nitsch \n24 years after the first staging of the 6-day play (1998)\, this summer the total work of art is to once again be condensed into a concentrated interplay of all its components. It was the cherished wish of Hermann Nitsch (*29 August 1938 in Vienna; Ϯ 18 April 2022 in Mistelbach) that his 6-day play be performed this year in the new version. The performances of the 1st and 2nd days are to take place on 30 and 31 July 2022. Rita Nitsch is fulfilling the wish of the artist posthumously\, supported by the core team of Andrea Cusumano (musical direction)\, Leonhard Kopp and Frank Gassner. The other four days will be staged in the coming years. \nThe Orgies Mysteries Theatre \nHermann Nitsch’s idea for an action performance lasting six days and six nights goes back to the year 1957. At the time working with the medium of literature\, the artist\, influenced by the attempts of Richard Wagner and Alexander Scriabin to realise a total work of art\, imagined his own action theatre\, oriented on synaesthetic experience engrossing all five senses: the Orgies Mysteries Theatre. \nThe length is an analogy to the story of creation and is conceived as an extension of all monumental works of art. Thus\, all the performed actions of the o. m. theatre ever since the early 1960s need to be understood as part realisations of the 6-day play. \nThe Orgies Mysteries Theatre is an artistic undertaking. Besides the visual form\, the music plays a crucial role. The play’s course follows a symphonic concept. The arena for the action is the castle grounds in Prinzendorf\, encompassing all its rooms and spaces as well as the surrounding countryside of Lower Austria’s Weinviertel. \nTicketing information is available at http://www.nitsch-foundation.com/the-6-day-play-2022 \nA booklet of the 6-day play can be downloaded at \nhttps://www.nitsch-foundation.com/wp-content/uploads/2022/04/6TS_2022_July_30-31_web.pdf
URL:https://www.fondazionemorra.org/en/evento/hermann-nitsch-160-aktion-das-6-tage-spiel/
LOCATION:Atelier Hermann Nitsch\, Schlossstraße 1\, Prinzendorf\, 2185\, Austria
CATEGORIES:Museo Nitsch
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2022/07/HN_6ts_A1_riden.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220703T190000
DTEND;TZID=Europe/Rome:20220703T230000
DTSTAMP:20260515T214054
CREATED:20220705T105257Z
LAST-MODIFIED:20220708T130908Z
UID:8863-1656874800-1656889200@www.fondazionemorra.org
SUMMARY:Mille Nanni – 3rd July
DESCRIPTION:1-3 july 2022 – Tribute to Nanni Balestrini\nOPENING 1st JULY 6.30 p.m.\n1st july – 30th october 2022 \nCasa Morra. Archivi d’Arte Contemporanea\nSalita San Raffaele 20/c\, Naples \nA project by Andrea Cortellessa and Giuseppe Morra\nCurated by Maria Teresa Carbone\, Andrea Cortellessa and Ada Tosatti \n7.00 p.m.\nDiscussion starting from Nanni Balestrini millepiani led by Ada Tosatti with the participation of Cecilia Bello Minciacchi\, Tommaso Ottonieri\, Emanuela Patti\, Chiara Portesine\, and Gian Paolo Renello. \n8.30 p.m.\nReadings by Mariano Bàino\, Biagio Cepollaro\, Laura Cingolani and Fabio Lapiana\, Gabriele Frasca\, Tommaso Ottonieri\, Lello Voce; reading performance L’esplosione on Balestrini’s texts by Fumofonico (Rosaria Lo Russo with Fausto Berti\, Matteo Zoppi\, music by Michael Nannini). \nGreetings and thanks by Rossana Campo. \nL’esplosione \nReading performance \nCurated by Rosaria Lo Russo \nWith Rosaria Lo Russo\, Matteo Zoppi\, and Fausto Berti \nMusic Michael Nannini \nThis reading performance from L’esplosione (2019) is a tribute to Nanni Balestrini’s testamentary work\, his last book of visual poetry. The voices of three reader-performers on stage give body in sound to three of the six movements\, or cantos\, of a work centred on multiples of three. There is a solemn Dantean motion to this short poem that recomposes the human story from the alpha of the first human traces of Neolithic art to the apocalyptic omega of the terminal phases of the Anthropocene. A Dantesque palingenetic motion\, albeit with the usual suspension of judgement\, which here\, however\, becomes a magnificent tension (and internal skirmish between the three voices)\, gives structure to each page with three outward triplets and three return triplets in the movement of the layout from left to right\, forming a cusp. It is the sign of a verticality that is not metaphysical but immanent in the human condition. It is the geometry of astonishment and disaster of experience\, both individual and historical/collective\, from the initial explosion of hominization to the explosion of the end\, of an exemplary poet’s life like that of our animal species. In this work\, the geometry of montage typical of Balestrini’s poetry\, underpinned here by a powerful emotional vein\, attains a moving clarity\, almost as if L’esplosione were actually a first work rather than a farewell. \n\n		\n		\n			\n				\n			\n				\n				Mille Nanni\, Casa Morra\, Napoli\, 2022 Photo Serena Schettino Courtesy Fondazione Morra\n				\n			\n				\n			\n				\n				Mille Nanni\, Casa Morra\, Napoli\, 2022 Photo Serena Schettino Courtesy Fondazione Morra\n				\n			\n				\n			\n				\n				Biagio Cepollaro\, Mille Nanni\, Casa Morra\, Napoli\, 2022 Photo Serena Schettino Courtesy Fondazione Morra\n				\n			\n				\n			\n				\n				Laura Cingolani and Fabio Lapiana\, Mille Nanni\, Casa Morra\, Napoli\, 2022 Photo Serena Schettino Courtesy Fondazione Morra\n				\n			\n				\n			\n				\n				Rosaria Lo Russo and Fumofonico\, L’esplosione\, Mille Nanni\, Casa Morra\, Napoli\, 2022 Photo Serena Schettino Courtesy Fondazione Morra
URL:https://www.fondazionemorra.org/en/evento/mille-nanni-3-luglio/
LOCATION:Casa Morra\, Salita San Raffaele 20C\, Napoli\, 80136
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2022/07/fumofonico_brochure_page-0001.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Rome:20220702T100000
DTEND;TZID=Europe/Rome:20220702T230000
DTSTAMP:20260515T214054
CREATED:20220705T103401Z
LAST-MODIFIED:20220708T125230Z
UID:8853-1656756000-1656802800@www.fondazionemorra.org
SUMMARY:Mille Nanni - 2nd July
DESCRIPTION:1-3 july 2022 – Tribute to Nanni Balestrini\nOPENING 1st JULY 6.30 p.m.\n1st july – 30th october 2022 \nCasa Morra. Archivi d’Arte Contemporanea\nSalita San Raffaele 20/c\, Naples \nA project by Andrea Cortellessa and Giuseppe Morra\nCurated by Maria Teresa Carbone\, Andrea Cortellessa and Ada Tosatti \n10.00 a.m.\nPresentation of the Sonora project of the University of Naples «Federico II» with the participation of Giancarlo Alfano\, Giuseppe Andrea Liberti\, Valentina Panarella\, and Stefania Zuliani. \n“What singles out the voice from the vast ocean of sounds and noise”\, wrote Mladen Dolar\, is its “inner relationship with meaning”. Indeed\, the voice is inside meaning (sense) because it is “sensuous”\, sonorous\, corporeal. At the same time\, the voice is inside meaning because it is “acousmatic”\, that is\, disembodied. Hovering between body and ghost\, the voice becomes poetry in working on presence (the setting for the performance)\, fetish (the recording of the poet’s “real voice”)\, and sonification (the acoustic manipulation of the recordings). \n12.00 p.m.\nPiano performance by Andrea Riccio. \n7.00 p.m.\nDiscussion starting from Nanni Balestrini millepiani (curated by Sergio Bianchi\, DeriveApprodi 2022) led by Gian Paolo Renello with the participation of Franco Berardi Bifo\, Giairo Daghini\, Maurizio Ferraris\, Renato Parascandolo\, and Franca Rovigatti. \n8.o0 p.m.\nReadings by Andrea Inglese\, Eugenio Lucrezi\, Giovanna Marmo\, and Franca Rovigatti. \n8.30 p.m.\nPerformance Questioni di tagli. Così come si agisce in concreto. Tessiture di suoni e voci per Nanni by Luigi Cinque and Giovanni Fontana. \nQUESTIONI DI TAGLI\nHow it is done in practice. Textures of sounds and voices for Nanni.  \nElectroacoustic concert for voices\, speech\, singing\, modulator\, SFX effects\, woodwinds\, electronic sax\, loops & drums. \nby Luigi Cinque and Giovanni Fontana \nMille Nanni: a thousand stances in relation to the word and a thousand forms of the word. \nWeights\, measures\, complex and flexible space-time dimensions\, constantly evolving dynamics. Body-word\, gesture-word\, gaze-word\, action-word\, field-word\, footprint-word\, automaton-word\, machine-word\, image-word\, event-word\, sound-word\, object-word\, in phono-symbolic pictures and mirrors of verbal ideograms to compose performative paradigms and perspectives for performance on stage or in film through intermedial projections. \nGiven the challenge posed by the structural dynamics of Balestrini’s complexity\, Luigi Cinque and Giovanni Fontana dwell on the concept of the ‘cut’ and its technical peculiarities\, organizing a performative fabric where the verbal dimension is resolved into sounds and rhythms\, letting phono-semantic concepts emerge like tips of icebergs and releasing vocal and musical epiphanies in unforeseeable directions. Luigi Cinque’s multi-instrumental textures are entwined in a rhythmic weave that\, at times\, reveals in a digital dimension phonetic polyharmonies within which Nanni Balestrini’s own voice may also be heard\, while sustaining the poetic sonorities of Giovanni Fontana. The vocal aspect rests on the writing\, and the music credits everything in an acoustic puzzle concretely characterized by the electrophonic mask of the body. \n\n		\n		\n			\n				\n			\n				\n				Mille Nanni\, Casa Morra\, Naples\, 2022 Photo Amedeo Benestante Courtesy Fondazione Morra\n				\n			\n				\n			\n				\n				Mille Nanni\, Casa Morra\, Naples\, 2022 Photo Amedeo Benestante Courtesy Fondazione Morra\n				\n			\n				\n			\n				\n				Andrea Riccio\, …per Nanni…\, Mille Nanni\, Casa Morra\, Naples\, 2022 Photo Amedeo Benestante Courtesy Fondazione Morra\n				\n			\n				\n			\n				\n				Mille Nanni\, Casa Morra\, Naples\, 2022 Photo Amedeo Benestante Courtesy Fondazione Morra\n				\n			\n				\n			\n				\n				Giovanni Fontana and Luigi Cinque\, Questioni di tagli\, Mille Nanni\, Casa Morra\, Naples\, 2022 Photo Amedeo Benestante Courtesy Fondazione Morra
URL:https://www.fondazionemorra.org/en/evento/mille-nanni-2nd-july/
LOCATION:Casa Morra\, Salita San Raffaele 20C\, Napoli\, 80136
CATEGORIES:Casa Morra
ATTACH;FMTTYPE=image/jpeg:https://www.fondazionemorra.org/wp-content/uploads/2022/07/cinque_fontana_brochure_page-0001.jpg
END:VEVENT
END:VCALENDAR