Andrea Cramarossa<\/strong>\u00a0(Bari 1972) graduated as an actor from the International Academy of Actor in Rome and the School of Comic Actor of Reggio Emilia. He also studies with Lindsay Kemp, Susan Batson, Mariagiovanna Rosati Hansen and Pino Ferrara. He studied singing with Gianna Montecalvo, Pierluigi Molinaro, Mariasilvia Roveri and Fili\u00f2 Sotiraki. Deepens the Method of the\u00a0Lichtenberger\u00ae<\/sup>\u00a0Institut f\u00fcr angewandte Stimmphysiologie<\/em>\u00a0by Gisela Rhomert; from these studies, in 2003, he founded the \u201cTeatro delle Bambole<\/a>\u201d as a cultural manifesto.<\/p>\n Andrea Cramarossa habitually holds workshops on voice and acting in Italy and abroad. He received numerous awards in the artistic field including: \u201cOscars of the young – European Personality\u201d at the Promoto Room of the Italian State and the \u201cAligi D’Oro\u201d Award for Dramatic Art. With the artistic work \u201cL\u2019URLO\u201d (The Scream) receives in 2013 the first prize at the FAP – Festival of Performative Arts.<\/p>\n Teatro delle Bambole<\/strong>\u00a0was born with the (in) formal provocation to give space to the voices of Art through the study and development of a \u201cNew Method of Approach to Dramatic Art\u201d combining the study of sound with theatrical research. In addition to the work on the sound of Gisela Rhomert, the Method is inspired by \u201cTheater of Orgies and Mysteries (Orgien-Mysterien-Theater<\/em>)\u201d by the Austrian artist Hermann Nitsch, leading exponent of the Wiener Aktionismus.<\/p>\n The \u201cNew Approach Method to Dramatic Art\u201d is fundamentally divided into the Actor\u2019s Work on his Sound, the Actor’s Work on the Character Sound and the Actor\u2019s Work on the Sound of the Viewer. The Method is constantly evolving and is open to contamination and to the encounters that life gives of itself.<\/p>\n