{"id":12805,"date":"2024-03-28T11:04:07","date_gmt":"2024-03-28T10:04:07","guid":{"rendered":"https:\/\/www.fondazionemorra.org\/?post_type=tribe_events&p=12805"},"modified":"2024-03-28T11:25:11","modified_gmt":"2024-03-28T10:25:11","slug":"millenanni-terzo-anno-henri-chopin-visiva-utopia","status":"publish","type":"tribe_events","link":"https:\/\/www.fondazionemorra.org\/en\/evento\/millenanni-terzo-anno-henri-chopin-visiva-utopia\/","title":{"rendered":"Millenanni Terzo Anno Henri Chopin. Visiva Utopia"},"content":{"rendered":"

Millenanni Terzo Anno<\/em><\/strong>
\nHenri Chopin. <\/em><\/strong>Visiva Utopia<\/em><\/strong><\/p>\n

Curated by Giovanni Fontana, Giuseppe Morra e Patrizio Peterlini<\/em><\/p>\n

9 April – 31 July 2024<\/em><\/strong><\/p>\n

Casa Morra. Archivi d\u2019Arte Contemporanea
\nSalita San Raffaele 20\/c, 80136 Napoli<\/strong><\/p>\n

On the occasion of the Third Year of Millenanni<\/em>, Fondazione Donnaregina per le Arti Contemporanee, in collaboration with Fondazione Morra, in the context of Progetto XXI, unveils on 9 April 2024 the exhibition Henri Chopin. Visiva Utopia (ENG \u201cHenri Chopin. Visual Utopia\u201d).<\/em><\/p>\n

As an artist of remarkable experimentation in the field of the international neoavanguardia (New Vanguard), Henri Chopin (Paris, 1922 \u2013 London, 2008) ushers his path into the great cultural ferment of \u201cconcrete poetry\u201d. In the landscape of verbo-visual research in the second post-war period, Chopin fits fully as an important figure in relation to the specific movement of \u201csound poetry\u201d, and yet his career cannot be encompassed within a single experience. Audio-po\u00e8mes <\/em>(Audio-poems), voice recordings of deformation and distortion of the voice through magnetophon, dactylo-po\u00e8mes <\/em>(Type-poems), typographic practice and exploration of the formal framework of the word, but also performance art experiences, editorial and pamphlet writing, film directing, theoretical and theatrical writing. Henri Chopin corrupts every prescriptive mode in his practice of life, and proceeds in horizontal research as compared with the fields of lexicon, acoustics and grammar, breaking the automatic relationships between them. The word is at degree zero, the voice restores its sonorous body, favouring the signifier over the semantic. Sensoriality prevails upon the relational sense of the verb.<\/p>\n

The exhibition is not exclusive to the observation of the artistry of Chopin, but is organised as a symposium between converging, but not standardised figures from the neo-avant-garde movements. Paul de Vree and Bernard Heidsieck, close to Chopin and equally associated with the experience of the \u201cpo\u00e9sie sonore\u201d, are present in the exhibition; together with them, the most representative names of the season of visual poetry in Italy: Eugenio Miccini, Lamberto Pignotti, Arrigo Lora Totino, Ugo Carrega, Stelio Maria Martini, Luigi Tola, Rodolfo Vitone, Michele Perfetti, Luciano Caruso and Giovanni Fontana. Situated in a network of synaesthetic interchange between artists from the collective experiences of Gruppo 63, Gruppo 70, Gruppo Tool, as well as deriving from the editorial framework of the publications Documento Sud and Linea Sud, the extent of Chopin retains its distinctiveness. His investigation, characterised by the phonetic dismantling of language, emerges and enters into a dialogue of poietic and poetic confrontation with other artists. A section of documents, curated by Domenico Mennillo, presents, as a corollary to the exhibition, some materials contained in the Henri Chopin Archive housed in the Casa Morra spaces: invitations, posters, photographs, letters and preparatory writings for texts and performances, magnetic tapes, records and audio cassettes.<\/p>\n

The collaboration between Fondazione Morra and Henri Chopin has been well established since the 1980s, and found its expression through productions of miscellaneous nature, supporting Chopin in his research with regards to verbal-visual scores. Moreover, through the publication of his works in Italian translation, including “L’ultimo romanzo del mondo” (\u201cThe Last Novel of the World\u201d) ([1961], Edizioni Morra, Naples, 1984), “La Conferenza di Yalta” (\u201cThe Conference of Yalta\u201d) ([1984] Edizioni Morra, Naples, 1987) or “Il gambero cosmografico” (\u201cThe Cosmographic Lobster\u201d) and “Il granchiolino innamorato” (\u201cThe Little Crab in love\u201d) ([1965 and 1967], Edizioni Morra, Naples, 1994) published by the same Foundation, the fellowship between Giuseppe Morra and Henri Chopin acquired further consistency.<\/p>\n

During the days of 9, 10 and 11 April, Henri Chopin. <\/em>Visiva Utopia (ENG \u201cHenri Chopin. Visual Utopia\u201d)<\/em> will be supported by the interventions of Giovanni Fontana and Patrizio Peterlini, exhibition curators, Angela Tecce, President of Fondazione Donnaregina per le Arti Contemporanee, Eva Elisa Fabbris, Director of Museo Madre, Cecilia Bello Minciacchi, professor of Contemporary Italian Literature at the University of Rome “La Sapienza”, Barbara Meazzi, professor in 20th century Italian Literature and Civilisation at the University of Nice, Domenico Mennillo, scientific curator of the Archives at Fondazione Morra, Girolamo De Simone, musician and cultural agitator, Domenico Napolitano (SEC_), sound artist, Mario Franco, film critic and creator of the homonymous archive within the Foundation, and Barbara Anceschi, Greek scholar and editorial director of Edizioni del Verri. In parallel, the critical lectures will be accompanied by performances by the duo \u201cAcchiappashpirt\u201d (Jonida Prifti and Stefano Di Trapani), Umberto Petrin.<\/p>\n

From April to July, a special program of twelve film screenings will be presented in the spaces of Archivio Mario Franco to interact with the historical period analyzed.<\/p>\n

The intermedial artistic production of Henri Chopin triggers a further exploration of the avant-garde current related to visual poetry and the use of words in all its declinations. Fondazione Morra intends to position itself as a subject of connection, stitching together parallel experiences and foreshadowing possible avenues of research for the future.<\/p>\n

Progetto XXI is the platform through which Fondazione Donnaregina per le Arti Contemporanee has aimed, since 2012, to explore on the one hand the emerging artistic production, in its theoretical-practical realization, and on the other hand the most seminal artistic practices of the last decades, in their exemplary methodological proposal. The project thus contributes to the production and dissemination of alternative narratives and historiographies of the contemporary and to the definition of a regional contemporary arts system based on collaboration and interchange between public and private institutions operating in the Campania region.<\/p>\n

The exhibition is funded as part of the project \u201cRilancio e sostegno della Fondazione Donnaregina- Sez. <\/strong>Progetto XXI\u201d – POR FERS Campania 2014\/2020<\/strong><\/p>\n

 <\/p>\n

Henri Chopin. Visiva Utopia<\/em>
\n(Henri Chopin. <\/em>Visual Utopia)<\/em>
\nProgramme of events<\/p>\n

Tuesday 9 April<\/p>\n

6 p.m. Henri Chopin. Visiva Utopia (ENG. Henri Chopin. Visual Utopia)<\/p>\n

Interventions by: Angela Tecce, President Fondazione Donnaregina per le Arti Contemporanee
\nEva Elisa Fabbris, Director Museo Madre
\nBarbara Anceschi, Editorial director Edizioni del Verri
\nGiovanni Fontana, Director Fondazione Berardelli
\nPatrizio Peterlini, Director Fondazione Bonotto
\nGiuseppe Morra, Director Fondazione Morra<\/p>\n

8 p.m. VOC\u00c8MI<\/strong> Dismisure foniche e lallazioni randagie per Henri Chopin<\/em><\/strong><\/p>\n

Poietic performance by Giovanni Fontana<\/p>\n

Wednesday 10 April<\/p>\n

6 p.m. Henri Chopin. Archivio visivo e performativo (ENG. Henri Chopin. Visual and performative archive)<\/p>\n

Interventions by: Domenico Mennillo, Scientific curator Archivi Casa Morra
\nDomenico Napolitano (SEC_), composer of concrete and electroacoustic music
\nBarbara Meazzi, Universit\u00e9 C\u00f4te\u00a0d\u2019Azur – du son dans les oreilles<\/em>: Henri Chopin e i tentacoli del Verbo <\/strong><\/p>\n

7 p.m. Secret Performance<\/strong><\/p>\n

Performance by duo Acchiappashpirt (Jonida Prifti and Stefano di Trapani)<\/p>\n

8 p.m. Liturgie du Souffle<\/strong><\/p>\n

Performance by Girolamo De Simone<\/em>, piano and electronics<\/p>\n

Thursday 11 April<\/p>\n

6 p.m. Henri Chopin. Attuale Utopia (ENG. Henri Chopin. Current Utopia)<\/p>\n

Interventions by: Patrizio Peterlini – Henri Chopin: l’utopista del linguaggio<\/em><\/strong>
\nCecilia Bello Minciacchi \u2013 La forza della voce. Chopin, Vicinelli, Balestrini<\/em><\/strong>
\nGiancarlo Alfano – Sonorit\u00e0, visivit\u00e0, cut-up: vie della poesia tra Henri Chopin e Nanni Balestrini<\/em><\/strong>
\nStefania Zuliani<\/p>\n

8 p.m. LA VOCE IN SITUAZIONE<\/strong> Teoria e pratica della vocalit\u00e0 per testo e pianoforte jazz<\/em><\/strong><\/p>\n

Voice streams:\u00a0Giovanni Fontana
\nPiano: Umberto Petrin<\/p>\n

6.30 p.m. La macchina fagocitante di Henri Chopin<\/strong><\/p>\n

Performance by Domenico Napolitano (SEC_)<\/p>\n","protected":false},"excerpt":{"rendered":"

Millenanni Terzo Anno Henri Chopin. Visiva Utopia Curated by Giovanni Fontana, Giuseppe Morra e Patrizio Peterlini 9 April – 31 July 2024 Casa Morra. Archivi d\u2019Arte Contemporanea Salita San Raffaele… Read more »<\/a><\/p>\n","protected":false},"author":1,"featured_media":12811,"template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[17],"class_list":["post-12805","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-casa-morra-en","cat_casa-morra-en"],"acf":[],"yoast_head":"\nMillenanni Terzo Anno Henri Chopin. 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