{"id":6852,"date":"2021-09-28T12:07:32","date_gmt":"2021-09-28T10:07:32","guid":{"rendered":"https:\/\/www.fondazionemorra.org\/evento\/the-art-of-remembering-incontri\/"},"modified":"2021-11-24T12:02:51","modified_gmt":"2021-11-24T11:02:51","slug":"the-art-of-remembering-incontri","status":"publish","type":"tribe_events","link":"https:\/\/www.fondazionemorra.org\/en\/evento\/the-art-of-remembering-incontri\/","title":{"rendered":"The art of remembering – Events"},"content":{"rendered":"

2nd october 2021<\/strong>
\nSTART 7.00 p.m.
\nMuseo Hermann Nitsch
\n<\/strong>Vico Lungo Pontecorvo 29\/D, Napoli
\n<\/span><\/p>\n

Divergent Senses<\/em> II part
\nvideo screening
\nCurated by Raffaella Morra<\/p>\n

5th october 2021<\/strong>
\nOPEN STUDIOS 5.00-7.00 p.m.
\nCEREMONY 7.00-9.00 p.m.
\nMuseo Hermann Nitsch
\n<\/strong>Vico Lungo Pontecorvo 29\/D, Napoli<\/span><\/p>\n

\u201cAll that is solid melts into air,<\/em>
\ndiffusing the labyrinth,<\/em>
\na continuum of existence in the end<\/em>
\nAs travellers, they do journey,<\/em>
\nsearching for some sort of wonderland.<\/em>
\nWhat is it that connects us?<\/em>
\nA memory?<\/em>
\nWhat if we stop remembering?<\/em>\u201d<\/p>\n

The rabbit hole<\/strong> presents “the art of remembering” a global residency program, in collaboration with Fondazione Morra<\/strong>, and E-M Arts<\/strong>, to be held in Naples, Italy from September 21 – October 5, 2021<\/strong>.<\/p>\n

 <\/p>\n

Maayan Boni * Amaury Cambuzat * Laith Demashqieh * Matilde di Pietropaolo
\nAinara Lopez * Olec Mun * Keri Rosebraugh * Mayke Verhoeven
\ntheatrum phonosophicum (alias Leopoldo Siano & Shushan Hyusnunts) * Alejandro Zertuche<\/p>\n

10 candidates have been selected to spend 14 days together unravelling the question “what if we stop remembering?” The program, designed as a dramaturgy of inner exploration, projects Naples as wonderland, in an environment that is created both as an immersive journey and international artist residency program. Artists will explore the subject on their own, in a contemplative and inspiring environment, equipped with their own studio space inside Museo Hermann Nitsch, generously granted by Fondazione Morra, as well as attend 5 experiential workshops introducing “the rabbit hole method\u2122\u201d at the Museo Hermann Nitsch, among other public spaces and excursions around Naples.<\/p>\n

The concept and program have been written and directed by the rabbit hole\u2019s founder, Samina Virani<\/strong>. The method is designed as a dramaturgy, a labyrinth, where each artist goes down the rabbit hole, embarking on its mythological journey to discover a collective blank canvas. In the artistic direction of the program, Samina Virani explains \u201cthe scripted elements of the residency are designed to allow the artists to delve into self-introspection, a white canvas, a formlessness where the secret gaze exists. Some could call it \u2018remembering\u2019.”<\/p>\n

saturday october 2 – video screening<\/strong><\/p>\n

Divergent Senses <\/em>II part<\/p>\n

As a puzzle without a clear matrix, Divergent Senses<\/em> video screenings are the separate components or hidden qualities of a unification. These videos are interpretive inferences rather than linear stories, drawing imaginative connections between the onscreen event and emotional engagement. When information is missing and out of order, the perceivers seek their causal relations; the salient information is omitted to arouse curiosity and enable the participants to understand their motivations of elaborate details, and mentally construct a coherent description.<\/p>\n

The program Divergent Senses<\/em> II part<\/p>\n

Anouk De Clercq We’ll find you when the sun goes black<\/em> 2021, BE\/NO, video 16:9, b\/w, sound, 5 min.<\/p>\n

Alvise Renzini Ci sono gli spiriti<\/em> (There are spirits) 2009, Italia, video, color, sound, 6 min. 20 sec.<\/p>\n

Johanna Vaude Samoura\u00ef<\/em> 2002, France, Super 8mm, color and b\/w, sound, 7 min. 23 sec.<\/p>\n

Jeanne Liotta Dark Enough<\/em> 2011, USA, 16mm, b\/w, sound, 6 min. 53 sec.<\/p>\n

Peter-Conrad Beyer Le R\u00eave<\/em> 2020, Germany, Super 16mm & Video, color and b\/w, sound, 8 min. 21 sec.<\/p>\n

Colectivo Los Ingr\u00e1vidos Guerras Floridas<\/em> 2021, Mexico, 16mm, color, sound, 4 min.<\/p>\n

Deborah Stratman For the Time Being<\/em> 2021, USA, HD video, 6 min. 40 sec.<\/p>\n

Scott Sinclair \u30d9\u30eb\u30ac \/ BERGA 2017, Australia\/Germany, HD video, color, sound, 6 min. 4 sec.<\/p>\n

To participate to the video screening on October 2, the reservation is required. Please send an email to info@museonitsch.org<\/a><\/p>\n

tuesday october 5 – the final response<\/strong><\/p>\n

In this process-based residency, each artist will develop an answer to “the art of remembering\u201d, which will form a collective response on the final night of October 5th<\/sup> at Museo Hermann Nitsch. Essentially, process, which is \u201cthe art of remembering\u201d will transform into ritual which is \u201cthe act of remembering\u201d.<\/p>\n

Credits<\/em><\/strong><\/p>\n

Samina Virani, Founder and Artistic Director, the rabbit hole
\nRaffaella Morra, Curatorial Lead Naples, Fondazione Morra, Director E-M Arts<\/p>\n

Carlos Calvo, Creative Producer, the rabbit hole
\nDr. Don Rodrigues, co-writer \u201cthe rabbit hole method\u201d, Professor English Literature, University of Memphis, and Harvard University<\/p>\n

Aurora Arenare, Assistant Producer, the rabbit hole
\nPol Vidas, communications, the rabbit hole pol@101010n.com<\/a><\/p>\n\n\t\t