{"id":7156,"date":"2021-11-30T15:14:32","date_gmt":"2021-11-30T14:14:32","guid":{"rendered":"https:\/\/www.fondazionemorra.org\/evento\/libero-de-cunzo-dea-adventus\/"},"modified":"2022-01-07T15:22:53","modified_gmt":"2022-01-07T14:22:53","slug":"libero-de-cunzo-dea-adventus","status":"publish","type":"tribe_events","link":"https:\/\/www.fondazionemorra.org\/en\/evento\/libero-de-cunzo-dea-adventus\/","title":{"rendered":"Libero De Cunzo. Dea Adventus"},"content":{"rendered":"<p><strong>13th december 2021 \u2013 31st january 2022<\/strong><br \/>\nOPENING 11th december 5.00 p.m.<br \/>\n<strong>Fondazione Morra Biblioteca per le Arti Contemporanee<br \/>\n<\/strong><span class=\"LrzXr\">Vico Lungo Pontecorvo 29\/d, Naples<br \/>\n<\/span><\/p>\n<p>Curated by Loredana Troise and Raffaella Morra<\/p>\n<p>Bright, sharp and soft; these words aptly describe <strong>Libero De Cunzo<\/strong>\u2019s new solo exhibition, <strong><em>DEA ADVENTUS<\/em><\/strong>, curated by Raffaella Morra and Loredana Troise at the Fondazione Morra Biblioteca per le Arti Contemporanee (the Hermann Nitsch Museum Library) from 13<sup>th<\/sup> December 2021 to 31<sup>st<\/sup> January 2022. It denotes an interval amid the earthquake that is the world. Armed with his iPhone, Libero De Cunzo directs\u00a0his gaze towards, and distils the syllables of a dialectic that spans the themes of recovery, division, and rediscovery \u2013 penetrating the geological folds of places and capturing their textual <em>noema<\/em> as a meditative act and cognitive phenomenon in his most personal mode of perceiving.<\/p>\n<p>Starting from cuts, fractions and sections, De Cunzo looks at the world through a <strong><em>recherche<\/em><\/strong> in which the underlying question regards the status of the <em>things<\/em> that have been recovered and then revealed in the memory: <strong>dreamlike rhythms, wonder, nostalgia, and pain are vestiges of experience that are not <\/strong><strong>lost but remain engraved on the heart<\/strong>. Narrated through a dense geology of reflections that have constantly driven the artist to ask questions, illuminated by his conscience, <strong>these unseen photographs, divided across three <em>partiture \u2013<\/em> DEVOTIONS-EMOTIONS-ADMIRATIONS<\/strong> \u2013 qualify as a neuralgic\/humoral spot on the margin of the retina, which thus becomes an observatory and a window through which knowledge and the ability to decant \u201cin full Gratitude of the Wonder that is always ready to appear\u201d can enter. An attribute that is both formal and ideological, grounded in a vision oriented towards dialogue as a rhetorical device.<\/p>\n<p>The logical-expressive structure of the narrative, proceeding in an increasingly vertiginous and only apparently rarefied investigation of reality, demands a particularly discerning viewer, ready to take up the challenge of interpretation through a laborious but rewarding hermeneutic circle. In his hallmark style, in the three visual chapters of <strong><em>DEA ADVENTUS<\/em><\/strong>, Libero De Cunzo expresses himself through writing with light, projecting his poetic message, an expression of, and emotional contact with, signs and motifs: a remarkable and serendipitous sunset, the glowing sun, footprints in the sand, a hand brushing against fabric, votive candles \u2013 all these are striking encounters alternating between amazement and a rush of gratification, solutions offered to our distracted memories, illuminating with their immediacy, a fleeting spark of reality. Libero De Cunzo\u2019s photographs are explanatory visual items \u2013 reflections and vibrations guiding us on an enthralling journey where we are all called upon to ponder with a gaze that can slow down, accelerate, pause, and begin again&#8230;<\/p>\n<p>\u201cAs it proceeds, the gaze becomes an image and expresses the desire to identify with places. A search for an inner vision that seeks to go beyond the meanings of reality, space, and time, recognizing within a time that moves from the subjective to the absolute in the instant in which the photo is taken, holding the breath. A way of seeing in order to raise our ability to <em>feel<\/em>\u201d.<br \/>\nLibero De Cunzo, <em>A passo di Vigna,<\/em> 1998<strong>\u00a0<\/strong><\/p>\n<p><strong>Libero De Cunzo<\/strong> teaches Photographic Art at the Liceo Artistico Boccioni-Palizzi and Environmental and Landscape Photography at the Accademia di Belle Arti in Naples. An integral part of his research project is based on his teaching work, which has always focused on developing a greater awareness of modes of seeing and knowledge of the language of photography. He has organized numerous initiatives on architecture, the environment, and landscape and worked with bodies and institutions such as the Ministry of Culture, MAXXI, the Faculty of Architecture in Naples, the Institut Fran\u00e7ois Grenoble, and Suor Orsola Benincasa University. He has exhibited in several venues in Italy and abroad, starting with the Trismegisto exhibition featuring leading contemporary artists curated and staged by Lucio Amelio in 1993. For De Cunzo, the central role of photography in art as an ethical journey is clearly manifest. He has exhibited monographic works in the following exhibitions. L\u2019Italia nel paesaggio (1999); Le stanze dell\u2019Arte (2002); Living Theatre, labirinti dell\u2019immaginario (2003); Citt\u00e0 architettura edilizia pubblica, Napoli e il Piano Ina-Casa (2006); il Paesaggio degli Dei e il lavoro degli Uomini (2012), La rosa dei 20 (2017), RE\/GARDER Vibrazioni e corrispondenze (2018), Procida\/Giardino Segreto (2021). Tra i titoli pubblicati: I Casali (1981); Spaccanapoli (1993); Infiniti possibili: Ravello (1994); Grotta del Sole (1994); Lontano dall\u2019Isola Azzurra (1994); Zone &#8211; Napoli\/Parigi (1994); Tra luce e luce (1995); La trama vivente della storia (1996); A passo di Vigna (1998); I valori del paesaggio e la fotografia sensibile (1998); L\u2019Italia nel Paesaggio (1999); Imago vocis, vocis imago (2003); Croniconiche. Luci e ombre, parole e memorie dalle metropoli (2006); Zenit. Sguardo meridiano. Viaggio nel cratere dell\u2019Alta Irpinia (2009); Procida, il giardino segreto (2009); Salerno. Glocal City (2010); Il Paesaggio degli Dei e il lavoro degli Uomini (2012).<\/p>\n<p>Free admission \u2013 COVID-19 Green Pass required<\/p>\n<p><strong>Fondazione Morra Biblioteca per le Arti Contemporanee<\/strong><\/p>\n<p>Vico Lungo Pontecorvo 29\/d 80135 Napoli<br \/>\nTel.: +39 0815641655<br \/>\n<a href=\"http:\/\/www.fondazionemorra.org\">www.fondazionemorra.org<\/a> <a href=\"http:\/\/www.em-arts.org\">www.em-arts.org<\/a> <a href=\"http:\/\/www.museonitsch.org\">www.museonitsch.org<\/a><\/p>\n<p>Monday to Friday 10 am \u20137 pm Saturday 10 am \u2013 2 pm<\/p>\n","protected":false},"excerpt":{"rendered":"<p>13th december 2021 \u2013 31st january 2022 OPENING 11th december 5.00 p.m. Fondazione Morra Biblioteca per le Arti Contemporanee Vico Lungo Pontecorvo 29\/d, Naples Curated by Loredana Troise and Raffaella<a class=\"excerpt-read-more\" href=\"https:\/\/www.fondazionemorra.org\/en\/evento\/libero-de-cunzo-dea-adventus\/\" title=\"ReadLibero De Cunzo. Dea Adventus\">&#8230; Read more &raquo;<\/a><\/p>\n","protected":false},"author":2,"featured_media":7153,"template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[16],"class_list":["post-7156","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tribe_events_cat-museo-nitsch-en","cat_museo-nitsch-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Libero De Cunzo. 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