{"id":5347,"date":"2021-02-25T17:04:06","date_gmt":"2021-02-25T16:04:06","guid":{"rendered":"http:\/\/www.fondazionemorra.org\/?post_type=tribe_events&p=5347"},"modified":"2021-02-25T17:04:06","modified_gmt":"2021-02-25T16:04:06","slug":"larry-jordan","status":"publish","type":"tribe_events","link":"https:\/\/www.fondazionemorra.org\/it\/evento\/larry-jordan\/","title":{"rendered":"Larry Jordan"},"content":{"rendered":"

24 settembre 2009<\/strong>
\nINIZIO ORE 20:00
\nPalazzo Ruffo di Bagnara<\/strong>
\nPiazza Dante 89, Napoli<\/p>\n

Larry Jordan \u00e8 da annoverare tra i film makers pi\u00f9 creativi degli ultimi 50 anni, i fantastici paesaggi mentali costruiti attraverso collages, immagini reali e animazioni descrivono un mondo onirico personale e spontaneo. \u201c\u2026L\u2019anima anela l\u2019infinito attraverso i simboli… Ogni cultura stabilisce una relazione simbolica ed ha il proprio modo per raggiungere l\u2019infinito. Apprezzo in particolare la cultura Egiziana, molti dei loro simboli e pratiche sono correlati ad una vita ultraterrena. Ognuno ha un luogo interiore personale, un desiderio. E la maggior parte degli artisti lo raggiungono attraverso la rappresentazione. Ci\u00f2 non \u00e8 inteso in senso religioso. Naturalmente, il termine infinito va preso come un granello di sale. \u00c8 il modo pi\u00f9 vicino per spiegarlo\u201d.<\/p>\n

Lawrence Jordan frequenta a Denver la stessa scuola superiore di Stan Brakhage; tra il 1951-55 segue i corsi alla Harvard University ed \u00e8 attratto dal Surrealismo, in particolare l\u2019opera di Max Ernst ed i romanzi-collages La Femme aux 100 t\u00eates <\/em>e Une semaine de bont\u00e9<\/em>. Comincia cos\u00ec a collezionare le incisioni, ri-filmarle e creare i suoi primi esperimenti in movimento, spesso montati in ripresa diretta. Tra il 1955-63 collabora e studia con Joseph Cornell, in particolare seguendo le sue indicazioni fotografa un viaggio verso un luogo sepolcrale ed esegue il montaggio di tre films, in cui Cornell descrive l\u2019area evanescente dove il conscio e l\u2019inconscio si incontrano.<\/p>\n

In collaborazione con Light Cone di Parigi e Nova Cinema di Bruxelles, la E-M ARTS\/Fondazione Morra ospita Larry Jordan a Napoli e come unica data italiana il 24 settembre proietta undici tra i suoi films pi\u00f9 famosi.<\/p>\n

RODIA-ESTUDIANTINA<\/strong> 1963 \/ 16mm \/ colore \/ sonoro \/ 4 min.<\/p>\n

Simon RODIA, an uneducated Italian imigrant to Los angeles built one of America’s most famous works of primitive art, the Watts towers<\/p>\n

DUO CONCERTANTES<\/strong> 1964 \/ 16mm \/ b&n \/ sonoro \/ 9 min.<\/p>\n

Animation. Un grand classique. Des gravures d’acier qui fabriquent un monde de r\u00eave surr\u00e9aliste. Dans Visionary Film, Sitney a longuement \u00e9crit sur ce film. Le film peut \u00eatre pr\u00e9sent\u00e9 \u00e0 tout le monde, jeunes, vieux ; il n’a jamais d\u00e9\u00e7u. Ses th\u00e8mes: r\u00e9surrection, renaissance, vol dans les hautes sph\u00e8res, tout ce qui semblait banni de l’art de ce si\u00e8cle.<\/p>\n

OUR LADY OF THE SPHERE<\/strong> 1969 \/ 16mm \/ colore \/ sonoro \/ 10 min.<\/p>\n

L’oeuvre la plus accomplie de Jordan – un collage color\u00e9 \u00e0 l’imagerie rococo juxtapos\u00e9 \u00e0 des symboles de l’\u00e2ge de l’espace. Les images se m\u00e9tamorphosent, se transforment, s’interp\u00e9n\u00e8trent et changent avec la fr\u00e9n\u00e9sie de bulles d’eau gazeuse, comme des alarmes \u00e9lectriques, des surprises visuelles. Un bijou de la cr\u00e9ation mystique: une \u00abbo\u00eete\u00bb de Cornell s’anime.<\/p>\n

ONCE UPON A TIME<\/strong> 1974 \/ 16mm \/ colore \/ sonoro \/ 12 min.<\/p>\n

Animation. In many ways a more searching, and certainly a more complex film than OUR LADY OF THE SPHERE. We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.<\/p>\n

MOONLIGHT SONATA<\/strong> 1979 \/ 16mm \/ colore \/ sonoro \/ 5 min.<\/p>\n

Probablement le film le plus populaire depuis Our Lady. Anim\u00e9 au son de la Cinqui\u00e8me Gnossienne de Satie. La lune et le clair de lune sont les lumi\u00e8res qui guident cette interpr\u00e9tation, et j’ai gard\u00e9 les arri\u00e8re-plans dans de doux bleus et verts. Seul le \u00abgobelet cosmique\u00bb \u00e9chappe \u00e0 cela, car il est rouge. La musique simplifie et raffine l’imagerie et r\u00e9alise le cirque c\u00e9leste auquel j’avais toujours r\u00eav\u00e9. Moonlight Sonata ouvre une nouvelle phase dans mon travail d’animation.<\/p>\n

MASQUERADE<\/strong> 1981 \/ 16mm \/ colore \/ sonoro \/ 5 min.<\/p>\n

For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.<\/p>\n

ADAGIO<\/strong> 1983 \/ 16mm \/ colore \/ sonoro \/ 8 min.<\/p>\n

Three picture-movements where myths of the past meet visions of the present. All three are live-image scenes and scenery worked to pre-chosen music. Dante and Virgil descended on the back of the monster Geryon into hell. I descended through levels of earthly sensuality and found – the winter season. Part 1, ADAGIO, is a nude study of a beautiful woman; I call her Psyche. And a nude man; I call him Eros. Albinoni is one of my favorite baroque composers. I used a particularly mysterious and compelling composition of his to invoke reminiscences of the old world (gardens of Paris) welling up into the new (the arid, Mexican-like region of southern California), to combine in a personal rendition of the Psyche and Eros theme: first Psyche appears as a nude portrait study for camera, then Eros, the male erotic energy (embodied in the portrait of sculptor George Herms). It is a romantic fantasy, two portraits, and a journey between old and new. I think of the film as a way to destroy such distinctions, that is, the distinction between old and new, past and present, myth and reality.<\/p>\n

THE VISIBLE COMPENDIUM<\/strong> 1992 \/ 16mm \/ colore \/ sonoro \/ 17 min.<\/p>\n

Ce film construit des morceaux anonymes de sens, des fragments de lumi\u00e8res… r\u00e9unis ensemble par la bande-son. Ce recueil visible (VISIBLE COMPENDIUM) va au-del\u00e0 de tous mes autres films d’animation…il tente d’engager l’esprit, et plus particuli\u00e8rement ce qui est inconnu dans l’esprit…<\/p>\n

CHATEAU \/ POYET<\/strong>\u00a0 2004 \/ 16mm \/ b&n tinto \/ sonoro \/ 6 min.<\/p>\n

Animation. Nous nous trouvons devant un ch\u00e2teau fran\u00e7ais. La cam\u00e9ra part \u00e0 la recherche d’\u00e9v\u00e8nements improbables \u00e0 travers l’\u00e9cran. Certains sont construits \u00e0 partir du travail d’un des graveurs pr\u00e9f\u00e9r\u00e9s de Jordan : Poyet. Des duels se font sur une corde raide. Des machines plus lourdes que l’air volent (et parfois s’\u00e9crasent). Des fusils \u00e0 air comprim\u00e9 percent des sph\u00e8res et les font exploser. Le rythme de l’animation, exquis, se d\u00e9roule dans une atmosph\u00e8re o\u00f9 coexistent la fr\u00e9n\u00e9sie et le plaisir.<\/p>\n

POET’S DREAM<\/strong>\u00a0 2005 \/ 16mm \/ colore \/ sonoro \/ 5 min.<\/p>\n

The Poet dreams a maiden’s bubbles thru edifices of forest and eclectic contagion.<\/p>\n

THE MIRACLE OF DON CRISTOBAL<\/strong> 2008 \/ 16mm \/ colore \/ sonoro \/ 11 min.<\/p>\n

For a long time, i have wanted to construct a melodrama (animated) from the funky engraving of the 19th century which illustrated “young peoples” adventure stories. Eventually, through a great deal of selection, such a film fell into place. I have attempted to present the high emotional overlay of very mundane events in this “alchemical melodrama”. To that end, Puccini combines with blatent sounds of police sirens and<\/p>\n","protected":false},"excerpt":{"rendered":"

24 settembre 2009 INIZIO ORE 20:00 Palazzo Ruffo di Bagnara Piazza Dante 89, Napoli Larry Jordan \u00e8 da annoverare tra i film makers pi\u00f9 creativi degli ultimi 50 anni, i… Read more »<\/a><\/p>\n","protected":false},"author":2,"featured_media":5348,"template":"","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[],"class_list":["post-5347","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nLarry Jordan - Fondazione Morra<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fondazionemorra.org\/it\/evento\/larry-jordan\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Larry Jordan - Fondazione Morra\" \/>\n<meta property=\"og:description\" content=\"24 settembre 2009 INIZIO ORE 20:00 Palazzo Ruffo di Bagnara Piazza Dante 89, Napoli Larry Jordan \u00e8 da annoverare tra i film makers pi\u00f9 creativi degli ultimi 50 anni, i... 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